• Iris Van Herpen.

Iris van Herpen (born June 5, 1984) is a Dutch fashion designer known for fusing technology with traditional Haute Couture craftsmanship. Van Herpen opened her own label Iris van Herpen in 2007. In 2011, the Dutch designer became a guest-member of the Parisian Chambre Syndicale de la Haute Couture, part of the Fédération française de la couture. Since then, Van Herpen has continuously exhibited her new collections at Paris Fashion Week Van Herpen's work has been included in the Metropolitan Museum of Art, the Victoria & Albert Museum, the Cooper-Hewitt Museum in New York and the Palais de Tokyo in Paris.

• — Syntopia.

With 'Syntopia', Iris van Herpen explores the new worlds that arise within synthetic biology and the intertwining relationships between the organic and the inorganic. ʻSyntopiaʼ acknowledges the current scientific shift in which biology converges with technology and visualizes the fragility and power within.

• — Shift Souls.

The collection was inspired by early examples of celestial cartography and its representations of mythological and astrological chimera, Van Herpen was particularly taken with "Harmonia Macrocosmica," a star atlas by the German-Dutch cartographer Andreas Cellarius, published in 1600.

"For 'Shift Souls' I looked at the evolution of the human shape, its idealization through time and the hybridization of the female forms within mythology. Specially the imagination and the fluidity within identity change in Japanese mythology gave me the inspiration to explore the deeper meaning of identity and how immaterial and mutable it can become within the current coalescence of our digital bodies”. — Iris van Herpen.

• — Hypnosis.

The collection is inspired by the hypnotic manifolds within our ecologies through the work of American artist Anthony Howe. The three-dimensional cyclical harmony of Howe’s kinetic sculptures is the wind beneath the wings of this collection. Howe's spherical ‘Omniverse’ sculpture explores our relationship with nature and intertwines with infinite expansion and contraction, expressing a universal life cycle. The meditative movement of the ‘Omniverse’ serves as a portal for the collection and the models, encircling a state of hypnosis.

The collaboration with Howe evolves ‘in an ecstasy of attentiveness’ through the symbiosis of all the elements of nature that are dependent on each other. As one of the key pieces of the collection, the finale ‘Infinity’ dress comes alive on the breath of a finely balanced mechanism. An engineered skeleton of aluminium, stainless steel and bearings is embroidered with a delicate layering of feathers in cyclical flight; revolving around their own centre. ‘Hypnosis’ reflects the beauty and complexity of our environment, exploring the patterns and structures within its fragile landscape.

‘The 'Hypnosis' collection is a hypnotic visualisation of nature’s tapestry, the symbiotic cycles of our biosphere that interweave the air, land, and oceans. It also reflects the ongoing dissection of the rhythms of life and resonates with the fragility within these interwoven worlds.’ - Iris van Herpen

• — Sensory Seas

For this collection, Iris van Herpen draws inspiration from the sensory processes that occur between the intricate composition of the human body, mirrored with the fibrous marine ecology of our oceans. The first threads of inspiration came from the Spanish neuroanatomist Ramón y Cajal. He wanted to uncover something that no one had yet understood. He questioned; how does the brain engage in conversation with its counterparts? Exploring our central nervous system in microscopic detailing, Cajal documented his revolutionary findings through anatomical drawings that are considered amongst the world’s greatest scientific illustrations.

Hunched over his microscope, he merged science with art and brought to life the threads of our enchanted biology to the human eye. Other inspiration stemmed from diving into the deep depths of the Hydrozoa, a class of delicately branched sea-life organisms. Shifting between a polypoid stage and a medusa stage, the Hydrozoa embroider the oceans like aqueous fabrics, forming layers of living lace. ‘Sensory seas’ holds a microscope over the indelible nuances between the anthropology of a marine organism, to the role of dendrites and synapses delivering infinite signals throughout our bodies. It enchants the attention of how two processes of torrential messaging exist in an uninterrupted state of flux.