Best Picture

• America, America, Elia Kazan, producer
• Cleopatra, Walter Wanger, producer
• How the West Was Won, Bernard Smith, producer
• Lilies of the Field, Ralph Nelson, producer
• Tom Jones, Tony Richardson, producer

Best Actor

• Albert Finney, Tom Jones
• Richard Harris, This Sporting Life
• Rex Harrison, Cleopatra
• Paul Newman, Hud
• Sidney Poitier, Lilies of the Field

Best Actress

• Leslie Caron, The L-Shaped Room
• Shirley MacLaine, Irma La Douce
• Patricia Neal, Hud
• Rachel Roberts, This Sporting Life
• Natalie Wood, Love With the Proper Stranger

Actor in a Supporting Role

• Nick Adams, Twilight of Honor
• Bobby Darin, Captain Newman, M.D.
• Melvyn Douglas, Hud
• Hugh Griffith, Tom Jones
• John Huston, The Cardinal

Actress in a Supporting Role

• Diane Cilento, Tom Jones
• Dame Edith Evans, Tom Jones
• Joyce Redman, Tom Jones
• Margaret Rutherford, The V.I.P.s
• Lilia Skala, Lilies of the Field

Directing

• Federico Fellini, Federico Fellini's 81/2
• Elia Kazan, America, America
• Otto Preminger, The Cardinal
• Tony Richardson, Tom Jones
• Martin Ritt, Hud

Writing

• Screenplay Based on Material From Another Medium
  • Serge Bourguigon and Antoine Tudal, Sundays and Cybele
  • Richard Breen, Phoebe Ephron and Henry Ephron, Captain Newman, M.D.
  • John Osborne, Tom Jones
  • James Poe, Lilies of the Field
  • Irving Ravetch and Harriet Frank, Jr., Hud
• Story and Screenplay Written Directly for the Screen
  • Carlo Bernari, screenplay, The Four Days of Naples
  • Pasquale Festa Campanile, Massimo Franciosa, Vasco Pratolini and Nanni Loy, story; Pasquale Festa Campanile, Massimo Franciosa, Nanni Loy and James R. Webb, How the West Was Won
  • Federico Fellini, Ennio Flaiano, Tullio Pinelli and Brunello Rondi, Federico Fellini's 81/2
  • Elia Kazan, America, America
  • Arnold Schulman, Love With the Proper Stranger

Cinematography

• Black-and-White
  • Lucien Ballard, The Caretakers
  • George Folsey, The Balcony
  • Ernest Haller, Lilies of the Field
  • James Wong Howe, Hud
  • Milton Krasner, Love With the Proper Stranger
• Color
  • William H. Daniels, Milton Krasner, Charles Lang, Jr. and Joseph LaShelle, How the West Was Won
  • Joseph LaShelle, Irma La Douce
  • Ernest Laszlo, It's a Mad, Mad, Mad, Mad World
  • Leon Shamroy, The Cardinal
  • Leon Shamroy, Cleopatra

Art Direction

• Black-and-White
  • Gene Callahan, art direction, America, America
  • George W. Davis and Paul Groesse, art direction; Henry Grace and Hugh Hunt, set decoration, Twilight of Honor
  • Piero Gherardi, art direction, Federico Fellini's 81/2
  • Hal Pereira and Tambi Larsen, art direction; Sam Comer and Robert Benton, set decoration, Hud
  • Hal Pereira and Roland Anderson, art direction; Sam Comer and Grace Gregory, set decoration, Love With the Proper Stranger
• Color
  • Ralph Brinton, Ted Marshall and Jocelyn Herbert, art direction; Josie MacAvin, set decoration, Tom Jones
  • George W. Davis, William Ferrari and Addison Hehr, art direction; Henry Grace, Don Greenwood, Jr. and Jack Mills, set decoration, How the West Was Won
  • John DeCuir, Jack Martin Smith, Hilyard Brown, Herman Blumenthal, Elven Webb, Maurice Pelling and Boris Juraga, art direction; Walter M. Scott, Paul S. Fox and Ray Moyer, set decoration, Cleopatra
  • Hal Pereira and Roland Anderson, art direction; Sam Comer and James Payne, set decoration, Come Blow Your Horn
  • Lyle Wheeler, art direction; Gene Callahan, set decoration, The Cardinal

Sound

• Columbia Studio Sound Dept., Bye Bye Birdie
• MGM Studio Sound Dept., How the West Was Won
• Samuel Goldwyn Studio Sound Dept., It's a Mad, Mad, Mad, Mad World
• Twentieth Century-Fox Studio Sound Dept. and Todd-AO Sound Dept., Cleopatra
• Universal City Studio Sound Dept., Captain Newman, M.D.

Music

• Song
  • "Call Me Irresponsible", Papa's Delicate Condition, James Van Heusen, music; Sammy Cahn, lyrics
  • "Charade", Charade, Henry Mancini, music; Johnny Mercer, lyrics
  • "It's a Mad, Mad, Mad, Mad World", It's a Mad, Mad, Mad, Mad World, Ernest Gold, music; Mack David, lyrics
  • "More", Mondo Cane, Riz Ortolani and Nino Oliviero, music; Norman Newell, lyrics
  • "So Little Time", 55 Days at Peking, Dimitri Tiomkin, music; Paul Francis Webster, lyrics
• Musical Score, Substantially Original
  • John Addison, Tom Jones
  • Ernest Gold, It's a Mad, Mad, Mad, Mad World
  • Alfred Newman and Ken Darby, How the West Was Won
  • Alex North, Cleopatra
  • Dimitri Tiomkin, 55 Days at Peking
• Scoring of Music, Adaptation or Treatment
  • George Bruns, The Sword in the Stone
  • John Green, Bye Bye Birdie
  • Maurice Jarre, Sundays and Cybele
  • André Previn, Irma La Douce
  • Leith Stevens, A New Kind of Love

Film Editing

• Frederic Knudtson, Robert C. Jones and Gene Fowler, Jr., It's a *Mad, Mad, Mad, Mad World
• Harold F. Kress, How the West Was Won
• Louis R. Loeffler, The Cardinal
• Dorothy Spencer, Cleopatra
• Ferris Webster, The Great Escape

Costume Design

• Black-and-White
  • Piero Gherardi, Federico Fellini's 81/2
  • Edith Head, Love With the Proper Stranger
  • Edith Head, Wives and Lovers
  • Bill Thomas, Toys in the Attic
  • Travilla, The Stripper
• Color
  • Donald Brooks, The Cardinal
  • Edith Head, A New Kind of Love
  • Walter Plunkett, How the West Was Won
  • Irene Sharaff, Vittorio Nino Novarese and Renie, Cleopatra
  • Piero Tosi, The Leopard

Special Effects

• Ub Iwerks, The Birds
• Emil Kosa, Jr., Cleopatra

Sound Effects (Not necessarily given each year)

• Robert L. Bratton, A Gathering of Eagles
• Walter G. Elliott, It's a Mad, Mad, Mad, Mad World

Short Subjects

• Cartoon
  • Automania 2000 (Halas and Batchelor Production; Pathé Contemporary Films)
  • The Critic (Pintoff-Crossbow Productions; Columbia)
  • The Game (Igra) (Zagreb Film; Rembrandt Films-Film Representations)
  • My Financial Career (National Film Board of Canada; Walter Reade-Sterling-Continental Distributing)
  • Pianissimo (Carmen D'Avino Production; Cinema 16)
• Live Action
  • The Concert (James A. King Corp.; George K. Arthur-Go Pictures)
  • Home-Made Car, BP (North American) Ltd.; Lester A. Schoenfeld Films)
  • An Occurrence at Owl Creek Bridge (Films du Centaure-Filmartic; Cappagariff-Janus Films)
  • Six-Sided Triangle (Milesian Film Production, Ltd.; Lion International Films)
  • That's Me (Stuart Productions; Pathé Contemporary Films)

Documentary

• Short Subject
  • Chagall (Auerbach Film Enterprises, Ltd.-Flag Films; Union Films)
  • The Five Cities of June (George Stevens, Jr., producer; U.S. Information Agency)
  • The Spirit of America (Algernon G. Walker, producer; Spotlight News, Inc.)
  • Thirty Million Letters (Edgar Anstey, producer; British Transport Films)
  • To Live Again (Wilding, Inc.; St. Barnabas Hospital, Bronx, N.Y.)
• Feature
  • Robert Frost: A Lover's Quarrel With the World (WGBH Educational Foundation; Holt, Reinhart and Winston, Inc.)
  • Le Maillon et la Chaine (The Link and the Chain) (Paul de Roubaix, producer; Films Du Centaure-Filmartic)
  • Terminus (Edgar Anstey, producer; British Transport Films)
  • The Yanks Are Coming (Marshall Flaum, producer; David L. Wolper Productions)

Foreign Language Film

• Federico Fellini's 81/2, Italy
• Knife in the Water, Poland
• Los Tarantos, Spain
• The Red Lanterns, Greece
• Twin Sisters of Kyoto, Japan

Irving G. Thalberg Memorial Award

• Sam Spiegel

Facts:

• Winners Announced: April 13, 1964
• Held at: Santa Monica Civic Auditorium, Santa Monica, California
• Host: Jack Lemmon
• Eligibility Year: 1963