- Le Voyage dans la lune (George Melies, 1902)
- Fantomas (Louis Feuillade, 1913)
- Les Vampires (Louis Feuillade, 1915)
- Intolerance (D.W. Griffith, 1916)
- Easy Street (Charles Chaplin, 1917)
- The Immigrant (Charles Chaplin, 1917)
- The Cabinet of Dr. Caligari (Robert Wiene, 1919)
- The Oyster Princess (Ernst Lubitsch, 1919)
- Neighbors (Buster Keaton, 1920)
- Destiny (Fritz Lang, 1921)
- The Kid (Charles Chaplin, 1921)
- Nosferatu (F.W. Murnau, 1922)
- Our Hospitality (Buster Keaton, 1923)
- Sherlock Jr. (Buster Keaton, 1924)
- Battleship Potemkin (Sergei Eisenstein, 1925)
- Ben-Hur (Fred Niblo, 1926)
- Metropolis (Fritz Lang, 1927)
- Italian Straw Hat (Rene Clair, 1927)
- Glaces a trois faces (Jean Epstein, 1927)
- Man with a Movie Camera (Dziga Vertov, 1929)
- A propos de Nice (Jean Vigo, 1930)
- Animal Crackers (Victor Heerman, 1930)
- The Blood of a Poet (Jean Cocteau, 1930)
- A nous la liberte (Rene Clair, 1931)
- City Lights (Charles Chaplin, 1931)
- Frankenstein (James Whale, 1931)
- Dracula (Todd Browning, 1931)
- M (Fritz Lang, 1931)
- Monkey Business (Norman Z. McLeod, 1931)
- One Hour with You (Ernst Lubitsch, 1932)
- Scarface (Howard Hawks, 1932)
- Design for Living (Ernst Lubitsch, 1933)
- Duck Soup (Leo McCarey, 1933)
- Outskirts (Boris Barnet, 1933)
- The Man Who Knew Too Much (Alfred Hitchcock, 1934)
- L'atalante (Jean Vigo, 1934)
- The Thin Man (W.S. Van Dyke II, 1934)
- David Copperfield (George Cukor, 1935)
- The 39 Steps (Alfred Hitchcock, 1935)
- A Night at the Opera (Sam Wood, 1935)
- The Crime of Monsieur Lange (Jean Renoir, 1936)
- Fury (Fritz Lang, 1936)
- Mr. Deeds Goes to Town (Frank Capra, 1936)
- My Man Godfrey (Gregory La Cava, 1936)
- Snow White and the Seven Dwarfs (David Hand, 1937)
- You Only Live Once (Fritz Lang, 1937)
- Mr. Smith Goes to Washington (Frank Capra, 1939)
- The Wizard of Oz (Victor Fleming, 1939)
- The Shop Around the Corner (Ernst Lubitsch, 1940)
- His Girl Friday (Howard Hawks, 1940)
- The Philadelphia Story (George Cukor, 1940)
- The Long Voyage Home (John Ford, 1940)
- Rebecca (Alfred Hitchcock, 1940)
- The Great Dictator (Charles Chaplin, 1940)
- Citizen Kane (Orson Welles, 1941)
- The Maltese Falcon (John Huston, 1941)
- Dumbo (Ben Sharpsteen, 1941)
- High Sierra (Raoul Walsh, 1941)
- Sullivan's Travels (Preston Sturges, 1941)
- Suspicion (Alfred Hitchcock, 1941)
- Casablanca (Michael Curtiz, 1942)
- King's Row (Sam Wood, 1942)
- Now, Voyager (Irving Rapper, 1942)
- The Magnificent Ambersons (Orson Welles, 1942)
- To Be or Not to Be (Ernst Lubitsch, 1942)
- Shadow of a Doubt (Alfred Hitchcock, 1943)
- Who Killed Who? (Tex Avery, 1943)
- Double Indemnity (Billy Wilder, 1944)
- Gaslight (George Cukor, 1944)
- Laura (Otto Preminger, 1944)
- And Then There Were None (Rene Clair, 1945)
- The Body Snatcher (Robert Wise, 1945)
- Les enfants du paradis (Marcel Carne, 1945)
- The Lost Weekend (Billy Wilder, 1945)
- Scarlet Street (Fritz Lang, 1945)
- Mildred Pierce (Michael Curtiz, 1945)
- Spellbound (Alfred Hitchcock, 1945)
- The Big Sleep (Howard Hawks, 1946)
- Antoine et Antoinette (Jacques Becker, 1947)
- Born to Kill (Robert Wise, 1947)
- Ivy (Sam Wood, 1947)
- Bicycle Thieves (Vittorio Di Sica, 1948)
- Oliver Twist (David Lean, 1948)
- Hamlet (Laurence Olivier, 1948)
- The Lady from Shanghai (Alfred Hitchcock, 1948)
- Sleep, My Love (Douglas Sirk, 1948)
- The Pirate (Vincente Minnelli, 1948)
- Rope (Alfred Hitchcock, 1948)
- Gun Crazy (Joseph Lewis, 1949)
- On the Town (Stanley Donen, 1949)
- Late Spring (Yasujiro Ozu, 1949)
- Madeleines (David Lean, 1949)
- Rendez-vous de Juillet (Jacques Becker, 1949)
- She Wore a Yellow Ribbon (John Ford, 1949)
- Stray Dog (Akira Kurosawa, 1949)
- Stromboli (Roberto Rossellini, 1949)
- Intruder in the Dust (Clarence Brown, 1949)
- The Third Man (Carol Reed, 1949)
- White Heat (Raoul Walsh, 1949)
- Annie Get Your Gun (George Sidney, 1950)
- All About Eve ( Joseph L. Mankiewicz, 1950)
- Born to be Bad (Nicholas Ray, 1950)
- The Flowers of St. Francis (Roberto Rossellini, 1950)
- The Asphalt Jungle (John Huston, 1950)
- Orpheus (Jean Cocteau, 1950)
- An American in Paris (Vincente Minnelli, 1951)
- Miss Oyu (Kenji Mizoguchi, 1951)
- Streetcar Named Desire (Elia Kazan, 1951)
- Strangers On a Train (Alfred Hitchcock, 1951)
- The White Sheik (Federico Fellini, 1951)
- The Bad and the Beautiful (Vincente Minnelli, 1952)
- El (Luis Buñuel, 1952)
- The Life of Oharu (Kenji Mizoguchi, 1952)
- Monkey Business (Howard Hawks, 1952)
- Othello (Orson Welles, 1952)
- The Quiet Man (John Ford, 1952)
- Singin' in the Rain (Stanley Donen, 1952)
- Angel Face (Otto Preminger, 1953)
- The Big Heat (Fritz Lang, 1953)
- The Hitch-Hiker (Ida Lupino, 1953)
- Day Break Express (D.A. Pennebaker, 1953)
- Roman Holiday (William Wyler, 1953)
- It Came from Outer Space (Jack Arnold, 1953)
- Gentlemen Prefer Blondes (Howard Hawks, 1953)
- Tokyo Story (Yasujiro Ozu, 1953)
- Voyage in Italy (Roberto Rossellini, 1953)
- The War of the Worlds (Byron Haskin, 1953)
- The Barefoot Contessa (Joseph Mankiewicz, 1954)
- Creature from the Black Lagoon (Jack Arnold, 1954)
- Crime Wave (Andre de Toth, 1954)
- Desistfilm (Stan Brakhage, 1954)
- Dial M for Murder (Alfred Hitchcock, 1954)
- Sabrina (Billy Wilder, 1954)
- Magnificent Obsession (Douglas Sirk, 1954)
- On the Waterfront (Elia Kazan, 1954)
- Seven Samurai (Akira Kurosawa, 1954)
- The Glenn Miller Story (Anthony Mann, 1954)
- Johnny Guitar (Nicholas Ray, 1954)
- Rear Window (Alfred Hitchcock, 1954)
- La Strada (Federico Fellini, 1954)
- Vera Cruz (Robert Aldrich, 1954)
- Young at Heart (Gordon Douglas, 1954)
- Le Amiche (Michelangelo Antonioni, 1955)
- The Big Knife (Robert Aldrich, 1955)
- Death of a Cyclist (Juan Antonio Bardem, 1955)
- Les Diaboliques (Henri-Georges Clouzot, 1955)
- Bob le flambeur (Jean-Pierre Melville, 1955)
- East of Eden (Elia Kazan, 1955)
- House of Bamboo (Sam Fuller, 1955)
- Floating Clouds (Mikio Naruse, 1955)
- One Froggy Evening (Chuck Jones, 1955)
- My Sister Eileen (Richard Quine, 1955)
- Man Without a Star (King Vidor, 1955)
- Rebel Without a Cause (Nicholas Ray, 1955)
- To Catch a Thief (Alfred Hitchcock, 1955)
- Wichita (Jacques Tourneur, 1955)
- Ordet (Carl Dreyer, 1955)
- Autumn Leaves (Robert Aldrich, 1956)
- Baby Doll (Elia Kazan, 1956)
- Beyond a Reasonable Doubt (Fritz Lang, 1956)
- Lust for Life (Vincente Minnelli, 1956)
- A Man Escaped (Robert Bresson, 1956)
- Hollywood or Bust (Frank Tashlin, 1956)
- The Girl Can't Help It (Frank Tashlin, 1956)
- Forbidden Planet (Fred Wilcox, 1956)
- Bhowani Junction (George Cukor, 1956)
- Giant (George Stevens, 1956)
- Crazed Fruit (Ko Nakahira, 1956)
- The Burmese Harp (Kon Ichikawa, 1956)
- Early Spring (Yasujiro Ozu, 1956)
- A Kiss Before Dying (Gerd Osward, 1956)
- The Killing (Stanley Kubrick, 1956)
- The Man Who Knew Too Much (Alfred Hitchcok, 1956)
- The Red Balloon (Albert Lamorisse, 1956)
- The Searchers (John Ford, 1956)
- Tea and Sympathy (Vincente Minnelli, 1956)
- Written on the Wind (Alfred Hitchcock, 1956)
- An Affair to Remember (Leo McCarey, 1957)
- Funny Face (Stanley Donen, 1957)
- Paths of Glory (Stanley Kubrick, 1957)
- The Seventh Seal (Ingmar Bergman, 1957)
- The Tarnished Angels (Douglas Sirk, 1957)
- Night of the Demon (Jacques Tourneur, 1957)
- 12 Angry Men (Sidney Lumet, 1957)
- Wild Strawberries (Ingmar Bergman, 1957)
- Le Beau Serge (Claude Chabrol, 1958)
- Cat on a Hot Tin Roof (Richard Brooks, 1958)
- Gigi (Vincente Minnelli, 1958)
- Mon Oncle (Jacques Tati, 1958)
- Vertigo (Alfred Hitchcock, 1958)
- Touch of Evil (Orson Welles, 1958)
- Some Came Running (Vincente Minnelli, 1958)
- Pickpocket (Robert Bresson, 1959)
- North by Northwest (Alfred Hitchcock, 1959)
- The Rest is Silence (Helmut Kautner, 1959)
- The Sign of Leo (Eric Rohmer, 1959)
- Some Like it Hot (Billy Wilder, 1959)
- The 400 Blows (Francois Truffaut, 1959)
- Shadows (John Cassevetes, 1959)
- The Testament of Dr Cordelier (Jean Renoir, 1959)
- Testament of Orpheus (Jean Cocteau, 1959)
- Le Trou (Jacques Becker, 1959)
- Odds Against Tomorrow (Robert Wise, 1959)
- Head Against the Wall (Georges Franju, 1959)
- Rio Bravo (Howard Hawks, 1959)
- Warlock (Edward Dmytryk, 1959)
- The World of Apu (Satyajit Ray, 1959)
- The Apartment (Billy Wilder, 1960)
- Breathless (Jean Luc Godard, 1960)
- Les Bonnes Femmes (Claude Chabrol, 1960)
- L'Avventura (Michelangelo Antonioni, 1960)
- La Dolce vita (Federico Fellini, 1960)
- Peeping Tom (Michael Powell, 1960)
- Rocco and His Brothers (Luchino Visconti, 1960)
- Wild River (Elia Kazan, 1960)
- The Young One (Luis Bunuel, 1960)
- Spartacus (Stanley Kubrick, 1960)
- Psycho (Alfred Hithcock, 1960)
- Plein Soleil (Rene Clement, 1960)
- Accattone (Pier Paolo Pasolini, 1961)
- Blast of Silence (Allen Baron, 1961)
- El Cid (Anthony Mann, 1961)
- The Hustler (Robert Rossen, 1961)
- Une Femme est une femme (Jean Luc Godard, 1961)
- La Notte (Michelangelo Antonioni, 1961)
- Il Posto (Ermanno Olmi, 1961)
- Lola (Jacques Demy, 1961)
- The Intruder (Roger Corman, 1961)
- The Misfits (John Huston, 1961)
- Jules et Jim (Francois Truffaut, 1961)
- The Innocents (Jack Clayton, 1961)
- Splendor in the Grass (Elia Kazan, 1961)
- Underworld, U.S.A. (Sam Fuller, 1961)
- Viridiana (Luis Bunuel, 1961)
- An Autumn Afternoon (Yasujiro Ozu, 1962)
- Le Doulos (Jean-Pierre Melville, 1962)
- The Exterminating Angel (Luis Bunuel, 1962)
- L'Eclisse (Michelangelo Antonioni, 1962)
- Carnival of Souls (Herk Henry, 1962)
- The Elusive Corporal (Jean Renoir, 1962)
- Divorce Italian Style (Pietro Germi, 1962)
- Ivan's Childhood (Andrei Tarkovsky, 1962)
- Le Jetee (Chris Marker, 1962)
- The Man Who Shot Liberty Vance (John Ford, 1962)
- Mamma Roma (Pier Paolo Pasolini, 1962)
- Lolita (Stanley Kubrick, 1962)
- Lawrence of Arabia (David Lean, 1962)
- The Manchurian Candidate (John Frankenheimer, 1962)
- To Kill a Mockingbird (Robert Mulligan, 1962)
- Two Weeks in Another Town (Vincente Minnelli, 1962)
- Knife in the Water (Roman Polanski, 1962)
- Loneliness of the Long Distance Runner (Tony Richardson, 1962)
- Miracle Worker (Arthur Penn, 1962)
- Vivre sa vie (Jean Luc Godard, 1962)
- Winter Light (Ingmar Bergman, 1962)
- What Ever Happened to Baby Jane? (Robert ALdrich, 1962)
- An Actor's Revenge (Kon Ichikawa, 1963)
- America, America (Elia Kazan, 1963)
- From Russia with Love (Terence Youn, 1963)
- The Birds (Alfred Hitchcock, 1963)
- High and Low (Akira Kurosawa, 1963)
- Muriel (Alain Resnais, 1963)
- Contempt (Jean Luc Godard, 1963)
- Charade (Stanley Donen, 1963)
- 8 1/2 (Federico Fellini, 1963)
- The Big City (Satyajit Ray, 1963)
- The Haunting (Robert Wise, 1963)
- Judex (Georges Franju, 1963)
- The Great Escape (John Sturges, 1963)
- The Sadist (James Landis, 1963)
- El Verdugo (Luis Garcia Berlanga, 1963)
- La Rabbia (Pier Paolo Pasolini, 1963)
- Suzanne's Career (Eric Rohmer, 1963)
- The Servant (Joseph Losey, 1963)
- Bande a part (Jean Luc Godard, 1964)
- Charulata (Satyajit Ray, 1964)
- Blood and Black Lace (Mario Bava, 1964)
- Dr. Strange or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964)
- Lilith (Robert Rossen, 1964)
- Goldfinger (Guy Hamilton, 1964)
- A Hard Day's Night (Richard Lester, 1964)
- Marnie (Alfred Hitchcock, 1964)
- Kiss Me, Stupid (Billy Wilder, 1964)
- My Fair Lady (George Cukor, 1964)
- The Naked Kiss (Sam Fuller, 1964)
- Zulu (Cy Endfield, 1964)
- Seance on a Wet Afternoon (Bryan Forbes, 1964)
- The Married Woman (Jean-Luc Godard, 1964)
- Doctor Zhivago (David Lean, 1965)
- Repulsion (Roman Polanski, 1965)
- The Hill (Sidney Lumet, 1965)
- Mickey One (Arthur Penn, 1965)
- Blowup (Michelangelo Antonioni, 1966)
- El Dorado (Howard Hawks, 1966)
- Chimes at Midnight (Orson Welles, 1966)
- Made in U.S.A. (Jean Luc Godard, 1966)
- The Good, The Bad and The Ugly (Sergio Leone, 1966)
- Cul-De-Sac (Roman Polanski, 1966)
- Masculin Feminin (Jean Luc Godard, 1966)
- Who's Afraid of Virginia Woolf? (Mike Nichols, 1966)
- Yesterday Girl (Alexander Kluge, 1966)
- Second Breath (Jean-Pierre Melvin, 1966)
- Red Angel (Yasuzo Masumura, 1966)
- Belle du jour (Luis Bunuel, 1967)
- La Chinoise (Jean Luc Godard, 1967)
- Bonnie and Clyde (Arthur Penn, 1967)
- Branded to Kill (Seijun Suzuki, 1967)
- The Graduate (Mike Nichols, 1967)
- Don't Look Back (D.A. Pennebaker, 1967)
- The Dirty Dozen (Robert Aldrich, 1967)
- Le Samourai (Jean-Pierre Melville, 1967)
- In Cold Blood (Richard Brooks, 1967)
- The Fireman's Ball (Milos Foreman, 1967)
- Cool Hand Luke (Stuart Rosenberg, 1967)
- The Red and the White (Miklos Jancso, 1967)
- The Young Girls of Rochefort (Jacques Demy, 1967)
- Titicut Follies (Frederick Wiseman, 1967)
- Scattered Clouse (Mikio Naruse, 1967)
- Point Blank (John Boorman, 1967)
- Hombre (Martin Ritt, 1967)
- Wavelength (Michael Snow, 1967)
- L'Amour fou (Jacques Rivette, 1968)
- If... (Lindsay Anderson, 1968)
- Faces (John Cassevetes, 1968)
- The Heart is a Lonely Hunter (Robert Ellis Miller, 1968)
- Les Biches (Claude Chabrol, 1968)
- The Lion in the Winter (Anthony Harvey, 1968)
- Once Upon A Time in the West (Sergio Leone, 1968)
- Night of the Living Dead (George Romero, 1968)
- Petulia (Richard Lester, 1968)
- Pas de deux (Norman McLaren, 1968)
- Signs of Life (Werner Herzog, 1968)
- Will Penny (Tom Gries, 1968)
- 2001: A Space Odyssey (Stanley Kubrick, 1968)
- The Producers (Mel Brooks, 1968)
- Rosemary's Baby (Roman Polanski, 1968)
- Play Dirty (Andre de Toth, 1968)
- Targets (Peter Bogdanovich, 1968)
- Skammen (Ingmar Bergman, 1968)
- Army of Shadows (Jean-Pierre Melville, 1969)
- Easy Rider (Dennis Hooper, 1969)
- Une Femme douce (Robert Bresson, 1969)
- Kes (Ken Loach, 1969)
- Z (Constantin Costa-Gravas, 1969)
- A Touch of Zen (King Hu, 1969)
- Medium Cool (Haskell Wexler, 1969)
- La Femme infidele (Claude Chabrol, 1969)
- Midnight Cowboy (John Schlesinger, 1969)
- Love is Colder Than Death (Rainer Werner Fassbinder, 1969)
- Katzelmacher (Rainer Werner Fassbinder, 1969)
- They Shoot Horses, Don't They? (Sydney Pollack, 1969)
- Five Easy Pieces (Bob Rafelson, 1970)
- Husbands (John Cassevetes, 1970)
- Diary of a Mad Housewife (Frank Perry, 1970)
- Le Boucher (Claude Chabrol, 1970)
- The American Soldier (Rainer Werner Fassbinder, 1970)
- The Conformist (Bernardo Bertolucci, 1970)
- Tristana (Luis Bunuel, 1970)
- The Wild Child (Francois Truffaut, 1970)
- Wanda (Barbara Loden, 1970)
- Bananas (Woody Allen, 1971)
- The Ceremony (Nagisa Oshima, 1971)
- Four Nights of a Dreamer (Robert Bresson, 1971)
- The French Connection (William Friedkin, 1971)
- Get Carter (Mike Hodges, 1971)
- Harold and Maude (Hal Ashby, 1971)
- Family Life (Ken Loach, 1971)
- Dirty Harry (Don Siegel, 1971)
- Duel (Steven Spielberg, 1971)
- Two English Girls (Francois Truffaut, 1971)
- Minnie and Moskowitz (John Cassavetes, 1971)
- McCabe & Mrs. Miller (Robert Altman, 1971)
- Merchant of Four Seasons (Rainer Werner Fassbinder, 1971)
- The Last Picture Show (Peter Bogdanovich, 1971)
- Punishment Park (Peter Watkins, 1971)
- Wild Rovers (Blake Edwards, 1971)
- Traffic (Jacques Tati, 1971)
- The Panic in Needle Park (Jerry Schatzberg, 1971)
- Bad Company (Robert Benton, 1972)
- Cabaret (Bob Fosse, 1972)
- Deliverance (John Boorman, 1972)
- The Godfather (Francis Ford Coppola, 1972)
- Cries and Whispers (Ingmar Bergman, 1972)
- Chloe in the Afternoon (Eric Rohmer, 1972)
- The King of Marvin Gardens (Bob Rafelson, 1972)
72)
- Solaris (Andrei Tarkovsky, 1972)
- Play It Again, Sam (Herbert Ross, 1972)
- Under the Flag of the Rising Sun (Kinji Fukasaku, 1972)
- The Exorcist (William Friedkin, 1973)
- American Graffiti (George Lucas, 1973)
73)
- Badlands (Terrence Malick, 1973)
- The Long Goodbye (Robert Atlman, 1973)
- The Mother and the Whore (Jean Eustache, 1973)
- Serpico (Sidney Lumet, 1973)
- The Holy Mountain (Alejandro Jodorowsky, 1973)
- Sleeper (Woody Allen, 1973)
- California Split (Robert Altman, 1973)
- Chinatown (Roman Polanski, 1973)
- The Conversation (Francis Ford Coppola, 1973)
- The Godfather II (Francis Ford Coppola, 1973)
- Edvard Munch (Peter Watkins, 1973)
- Lucien Lacombe (Louis Malle, 1973)
- The Phantom of Liberty (Luis Bunuel, 1973)
- Texas Chainsaw Massacre (Tobe Hooper, 1973)
- Scent of a Woman (Dino Risi, 1973)
- Thieves Like Us (Robert Altman, 1973)
- Young Frankenstein (Mel Brooks, 1973)
- Ludwig (Luchino Visconti, 1973)
- Barry Lyndon (Stanley Kubrick, 1974)
- Fox and His Friends (Rainer Werner Fassbinder, 1974)
- Jaws (Steven Spielberg, 1974)
- Love and Death (Woody Allen, 1974)
- The Man Who Would Be King (John Huston, 1974)
- Dog Day Afternoon (Sidney Lumet, 1974)
- One Flew Over the Cuckoo's Nest, 1974)
- Monty Python and the Holy Grail (Terry Gilliam, 1974)
- Nashville (Robert Altman, 1974)
- Tommy (Ken Russell, 1975)
- Carrie (Brian De Palma, 1976)
- The Front (Martin Ritt, 1976)
- Marquise of O (Eric Rohmer, 1976)
- Network (Sidney Lumet, 1976)
- Taxi Driver (Martin Scorsese, 1976)
- Annie Hall (Woody Allen, 1977)
- Close Encounters of the Third Kind (Steven Spielberg, 1977)
- The Devil, Probably (Robert Bresson, 1977)
- Beaubourg (Roberto Rosselini, 1977)
- New York, New York (Martin Scorsese, 1977)
- 3 Women (Robert Altman, 1977)
- Obscure Object of Desire (Luis Bunuel, 1977)
- Diabolo Menthe (Diane Kurys, 1977)
- Interiors (Woody Allen, 1978)
- Alien (Ridley Scott, 1979)
- Apocalypse Now (Francis Ford Coppola, 1979)
- All That Jazz (Bob Fosse, 1979)
- Manhattan (Woody Allen, 1979)
- Vengeance is Mine (Shohei Imamura (1979)
- Stalker (Andrei Tarkosvksy, 1979)
- Atlantic City (Louis Malle, 1980)
- Empire Strikes Back (George Lucas, 1980)
- Raging Bull (Martin Scorsese, 1980)
- The Elephant Man (David Lynch, 1980)
- The Shining (Stanley Kubrick, 1980)
- Stardust Memories (Woody Allen, 1980)
- The Aviator's Wife (Eric Rohmer, 1981)
- The Evil Dead (Sam Raimi, 1981)
- Pixote (Hector Babenco, 1981)
- Reds (Warren Beatty, 1981)
- Raiders of the Lost Ark (Steven Spielberg, 1981)
- Blow Out (Brian De Palma, 1981)
- Blade Runner (Ridley Scott, 1982)
- Evil Dead (Sam Raimi, 1982)
- Poltergeist (Tobe Hooper, 1982)
- Fanny and Alexander (Ingmar Bergman, 1982)
- Diner (Barry Levinson, 1982)
- Tron (Steven Lisberger, 1982)
- White Dog (Sam Fuller, 1982)
- Who Am I This Time? (Jonathan Demme, 1982)
- The Verdict (Sidney Lumet, 1982)
- L'Argent (Robert Bresson, 1983)
- City of Pirates (Raúl Ruiz, 1983)
- Pirates of Penzance (Wilford Leach, 1983)
- Scarface (Brian De Palma, 1983)
- El Sur (Victor Erice, 1983)
- Sans soleil (Chris Marker, 1983)
- The King of Comedy (Martin Scorsese, 1983)
- Videodrome (David Cronenberg, 1983)
- Zelig (Woody Allen, 1983)
- Broadway Danny Rose (Woody Allen, 1984)
- The Killing Fields (Roland Joffe, 1984)
- Love Streams (John Cassevetes, 1984)
- Gremlins (Joe Dante, 1984)
- Songwriter (Alan Rudolph, 1984)
- The Terminator (James Cameron, 1984)
- Splash (Ron Howard, 1984)
- Stranger Than Paradise (Jim Jarmusch, 1984)
- This is Spinal Tap (Rob Reiner, 1984)
- Paris, Texas (Wim Wenders, 1984)
- Sixteen Candles (John Hughes, 1984)
- Once Upon a Time in America (Sergio Leone, 1984)
- A Passage to India (David Lean, 1984)
- Yellow Earth (Chen Kaige, 1984)
- Back to the Future (Robert Zemeckis, 1985)
- Mixed Blood (Paul Morrissey, 1985)
- The Color Purple (Steven Spielberg, 1985)
- Ran (Akira Kurosawa, 1985)
- Vagabond (Agnes Varda, 1985)
- Runaway Train (Andrei Tarkovsky, 1985)
- Re-Animator (Stuart Gordon, 1985)
- Blue Velvet (David Lynch, 1986)
- Down By Law (Jim Jarmusch, 1986)
- Hannah and Her Sisters (Woody Allen, 1986)
- She's Gotta Have It (Spike Lee, 1986)
- True Stories (David Byrne, 1986)
- Something Wild (Jonathan Demme, 1986)
- Ferris Bueller's Day Off (John Hughes, 1986)
- The Fly (David Cronenberg, 1986)
- Jean de Florette (Claude Berri, 1986)
- Mona Lisa (Neil Jordan, 1986)
- Salvador (Oliver Stone, 1986)
- Shadows in Paradise (Aki Kaurismäki, 1986)
- Babette's Feast (Gabriel Axel, 1987)
- Moonstruck (Norman Jewison, 1987)
- Raising Arizona (Ethan Coen/Joel Coen, 1987)
- The Witches of Eastwick (George Miller, 1987)
- House of Games (David Mamet, 1987)
- Full Metal Jacket (Stanley Kubrick, 1987)
- Robocop (Paul Verhoeven, 1987)
- The Last Emperor (Bernardo Bertolucci, 1987)
- Walker (Alex Cox, 1987)
- Withnail & I (Brunce Robinson, 1987)
- Dangerous Liaisons (Stephen Frears, 1988)
- Die Hard (John McTiernan, 1988)
- My Neighbor Totoro (Hayao Miyazaki, 1988)
- The Thin Blue Line (Errol Morris, 1988)
- Tanner '88 (Robert Altman, 1988)
- The Last Temptation of Christ (Martin Scorsese, 1988)
- Who Framed Roger Rabbit? (Robert Zemeckis, 1988)
- The burbs (Joe Dante, 1989)
- Crimes and Misdemeanors (Woody Allen, 1989)
- Do the Right Thing (Spike Lee, 1989)
- Homework (Abbas Kiarostami, 1989)
- The Killer (John Woo, 1989)
- Monsieur Hire (Patrice Leconte, 1989)
- Mystery Train (Jim Jarmusch, 1989)
- Tremors (Ron Underwood, 1989)
- War of the Roses (Danny De Vito, 1989)
- The Cook, The Thief, His Wife, and Her Lover (Peter Greenaway, 1989)
- Bonfire of the Vanities (Brian De Palma, 1990)
- Delicatessen (Jean-Pierre Jeunet, 1990)
- GoodFellas (Martin Scorsese, 1990)
- Ju Dou (Zhang Yimou, 1990)
- Lunch Date (Adam Davidson, 1990)
- Match Factory Girl (Aki Kaurismaki, 1990)
- Paris is Burning (Jennie Livingston, 1990)
- Internal Affairs (Mike Figgis, 1990)
- Miller's Crossing (Ethan Coen/Joel Coen, 1990)
- Reversal of Fortune (Barbet Schroeder, 1990)
- Trust (Hal Hartley, 1990)
- Barton Fink (Ethan Coen/Joel Coen, 1991)
- Europa (Lars von Trier, 1991)
- The Indian Runner (Sean Penn, 1991)
- Only the Lonely (Chris Columbus, 1991)
- Thelma and Louise (Ridley Scott, 1991)
- Shadows and Fog (Woody Allen, 1991)
- Silence of the Lambs (Jonathan Demme, 1991)
- Bad Lieutenant (Abel Ferrera, 1992)
- The Crying Game (Neil Jordan, 1992)
- Twin Peaks: Fire Walk With Me (David Lynch, 1992)
- Twin Peaks: Fire Walk With Me Deleted Scenes (David Lynch, 1992)
- Husbands and Wives (Woody Allen, 1992)
- Malcolm X (Spike Lee, 1992)
- Passion Fish (John Sayles, 1992)
- The Player (Robert Altman, 1992)
- Last of the Mohicans (Michael Mann, 1992)
- Honeymoon in Vegas (Andrew Bergman, 1992)
- Groundhog Day (Harold Ramis, 1993)
- Jurassic Park (Steven Spielberg, 1993)
- Philadelphia (Jonathan Demme, 1993)
- The Piano (Jane Campion, 1993)
- The Last Seduction (John Dahl, 1993)
- Naked (Mike Leigh, 1993)
- Shadowlands (Richard Attenborough, 1993)
- What's Eating Gilbert Grape? (Lasse Hallestrom, 1993)
- Schindler's List (Steven Spielberg, 1993)
- Bullets Over Broadway (Woody Allen, 1994)
- Crumb (Terry Zwigoff, 1994)
- Clerks (Kevin Smith, 1994)
- Natural Born Killers (Oliver Stone, 1994)
- Pulp Fiction (Quentin Tarantino, 1994)
- Casino (Martin Scorsese, 1995)
- Clockers (Spike Lee, 1995)
- Clueless (Amy Heckerling, 1995)
- Die Hard With a Vengeance, 1995)
- The Celluloid Closet (Rob Epstein, 1995)
- Devil in a Blue Dress (Carl Franklin, 1995)
- Empire Records (Allan Moyle, 1995)
- Mighty Aphrodite (Woody Allen, 1995)
- Heat (Michael Mann, 1995)
- Jade (William Friedkin, 1995)
- Toy Story (John Lasseter, 1995)
- Drifting Clouds (Aki Kaurismäki, 1996)
- Fargo (Ethan Coen/Joel Coen, 1996)
- Long Kiss Goodnight (Renny Harlin, 1996)
- People vs. Larry Flynt (Milos Forman, 1996)
- Trainspotting (Danny Boyle, 1996)
- Secrets & Lies (Mike Leigh, 1996)
- Affliction (Paul Schrader, 1997)
- Austin Powers: International Man of Mystery (Jay Roach, 1997)
- Buffalo '66 (Vincent Gallo, 1997)
- Boogie Nights (Paul Thomas Anderson, 1997)
- Deconstructing Harry (Woody Allen, 1997)
- Funny Games (Michael Haneke, 1997)
- Face/Off (John Woo, 1997)
- The Fifth Element (Luc Besson, 1997)
- Deconstructing Harry (Woody Allen, 1997)
- The House of Yes (Mark Waters, 1997)
- Jackie Brown (Quentin Tarantino, 1997)
- The Lost World: Jurassic Park (Steven Spielberg, 1997)
- Good Will Hunting (Gus Van Sant, 1997)
- Open Your Eyes (Alejandro Amenabar, 1997)
- American History X (Tony Kaye, 1998)
- The Big Lebowski (Ethan Coen/Joel Coen, 1998)
- Meet Joe Black (Martin Brest, 1998)
- Rushmore (Wes Anderson, 1998)
- Saving Private Ryan (Steven Spielberg, 1998)
- The Truman Show (Peter Weir, 1998)
- Boys Don't Cry (Kimberly Peirce, 1999)
- Dogma (Kevin Smith, 1999)
- Eyes Wide Shut (Stanley Kubrick, 1999)
- Audition (Takashi Miike, 1999)
- Austin Powers: The Spy Who Shagged Me (Jay Roach, 1999)
- American Beauty (Sam Mendes, 1999)
- Almost Famous (Cameron Crowe, 2000)
- American Psycho (Mary Harron, 2000)
- Amores perros (Alejandro Gonzalez Inarritu, 2000)
- Billy Elliot (Stephen Daldry, 2000)
- Dancer in the Dark (Lars von Trier, 2000)
- Erin Brokovich (Steven Soderbergh, 2000)
- The Family Man (Brett Ratner, 2000)
- Cast Away (Robert Zemeckis, 2000)
- Gladiator (Ridley Scott, 2000)
- O Brother, Where Art Thou? (Ethan Coen/Joel Coen, 2000)
- Memento (Christopher Nolan, 2000)
- High Fidelity (Stephen Frears, 2000)
- In the Mood for Love (Kar-wai Wong, 2000)
- House of Mirth (Terence Davies, 2000)
- Sexy Beast (Jonathan Glazer, 2000)
- Small Time Crooks (Woody Allen, 2000)
- Amelie (Jean-Pierre Jeunet, 2001)
- Donnie Darko (Richard Kelly, 2001)
- Gerry (Gus Van Sant, 2001)
- Ghost World (Terry Zwigoff, 2001)
- Harry Potter and the Philosopher's Stone (Chris Columbus, 2001)
- Lord of the Rings: The Fellowship of the Ring (Peter Jackson, 2001)
- Mulholland Dr. (David Lynch, 2001)
- Monster's Ball (Marc Forster, 2001)
- The Royal Tenenbaums (Wes Anderson, 2001)
- Vanilla Sky (Cameron Crowe, 2001)
- About Schmidt (Alexander Payne, 2002)
- Austin Powers in Goldmember (Jay Roach, 2002)
- Catch Me If You Can (Steven Spielberg, 2002)
- Harry Potter and the Chamber of Secrets (Chris Columbus, 2002)
- Punch-Drunk Love (Paul Thomas Anderson, 2002)
- Irreversible (Gaspar Noe, 2002)
- The Pianist (Roman Polanski, 2002)
- Talk to Her (Pedro Almodovar, 2002)
- Lord of the Rings: The Two Towers (Peter Jackson, 2002)
- Coffee and Cigarettes (Jim Jarmusch, 2003)
- Elephant (Gus Van Sant, 2003)
- Lord of the Rings: Return of the King (Peter Jackson, 2003)
- Maria Full of Grace (Joshua Marston, 2003)
- Kill Bill Vol. 1 (Quentin Tarantino, 2003)
- The Aviator (Martin Scorsese, 2004)
- Eminem AKA (Mike Corbera, 2004)
- Fahrenheit 9/11 (Michael Moore, 2004)
- Kill Bill Vol. 2 (Quentin Tarantino, 2004)
- Life Aquatic with Steve Zissou (Wes Anderson, 2004)
- Sideways (Alexander Payne, 2004)
- Palindromes (Todd Solondz, 2004)
- Motorcycle Diaries (Walter Salles, 2004)
- Harry Potter and the Prisoner of Azkaban (Alfonso Cuaron, 2004)
- Bewitched (Nora Ephron, 2005)
- Brokeback Mountain (Ang Lee, 2005)
- Capote (Bennett Miller, 2005)
- Charlie and the Chocolate Factory, 2005)
- Harry Potter and the Goblet of Fire (Mike Newell, 2005)
- Grizzly Man (Werner Herzog, 2005)
- A History of Violence (David Cronenberg, 2005)
- Me and You and Everyone We Know (Miranda July, 2005)
- Match Point (Woody Allen, 2005)
- Sympathy for Lady Vengeance (Park Chan-Wook, 2005)
- Walk the Line (James Mangold, 2005)
- The Squid and the Whale (Noah Baumbach, 2005)
- The Departed (Martin Scorsese, 2006)
- The Devil Wears Prada (David Frankel, 2006)
- The Good German (Steven Soderbergh, 2006)
- Half Nelson (Ryan Fleck, 2006)
- Little Miss Sunshine (Jonathan Dayton, 2006)
- Marie Antoinette (Sofia Coppola, 2006)
- The Lives of Others (Florian Henckel von Donnersmarck, 2006)
- This is England (Shane Meadows, 2006)
- V for Vendetta (James McTeigue, 2006)
- Volver (Pedro Almodovar, 2006)
- The Queen (Stephen Fears, 2006)
- The U.S. vs. John Lennon (David Leaf, 2006)
- Darjeeling Limited (Wes Anderson, 2007)
- Cassandra's Dream (Woody Allen, 2007)
- Control (Anton Corbijn, 2007)
- Dr. Plonk (Rolf De Heer, 2007)
- Encounters at the End of the World (Werner Herzog, 2007)
- Hotel Chevalier (Wes Anderson, 2007)
- Man on Wire (James Marsh, 2007)
- No Country for Old Men (Ethan Coen/Joel Coen, 2007)
- There Will Be Blood (Paul Thomas Anderson, 2007)
- Ballast (Lance Hammer, 2008)
- Burn After Reading (Ethan Coen/Joel Coen, 2008)
- The Curious Case of Benjamin Button (David Fincher, 2008)
- Food, Inc. (Robert Kenner, 2008)
- Gran Torino (Clint Eastwoo, 2008)
- Milk (Gus Van Sant, 2008)
- Sex and the City (Michael Patrick King, 2008)
- Twilight (Catherine Hardwick, 2008)
- Vicky Cristina Barcelona (Woody Allen, 2008)
- Wendy and Lucy (Kelly Reichardt, 2008)
- Yes Man (Peyton Reed, 2008)
- Bluebeard (Catherine Breillat, 2009)
- Bright Star (Jane Campion, 2009)
- Broken Embraces (Pedro Almodovar, 2009)
- Fantastic Mr. Fox (Wes Anderson, 2009)
- Inglourious Basterds (Quentin Tarantino, 2009)
- The White Ribbon (Michael Haneke, 2009)
- Blue Valentine (Derek Cianfrance, 2010)
- Sex and the City 2 (Michael Patrick King, 2010)
- Submarine (Richard Ayoade, 2010)
- The People vs. George Lucas (Alexandre O. Philippe, 2010)
- Tiny Furniture (Lena Dunham, 2010)
- True Grit (Ethan Coen/Joel Coen, 2010)
- The Kids Are All Right (Lisa Cholodenko, 2010)
- Who Is Harry Nilsson (And Why Is Everybody Talkin' About Him)? (John Scheinfeld, 2010)
- Public Speaking (Martin Scorsese, 2010)
- You Will Meet a Tall Dark Stranger (Woody Allen, 2010)
- Hugo (Martin Scorsese, 2011)
- Jiro Dreams of Sushi (David Gelb, 2011)
- Moneyball (Bennett Miller, 2011)
- We Need to Talk About Kevin (Lynne Ramsay, 2011)
- Django Unchained (Quentin Tarantino, 2012)
- Frances Ha (Noah Baumbach, 2012)
- Moonrise Kingdom (Wes Anderson, 2012)
- Blue Jasmine (Woody Allen, 2013)
- Inside Llewyn Davis (Coen Brothers, 2013)
- Mel Brooks: Make a Noise (Robert Trachtenberg, 2013)
- Nymphomaniac (Lars Von Trier, 2013)
- Our Vinyl Weighs a Ton (This is Stones Throw Records) (Jeff Broadway, 2013)
- Philomena (Stephen Frears, 2013)
- The Place Beyond the Pines (Derek Cianfrance, 2013)
- Scatter My Ashes at Bergdorf's (Matthew Miele, 2013)
- Ida (Pawel Pawlikowski, 2013)
- Chef (Jon Favreau, 2014)
- The Grand Budapest Hotel (Wes Anderson, 2014)
- Inherent Vice (Paul Thomas Anderson, 2014)
- Love is Strange (Ira Sachs, 2014)
- Anomalisa (Charlie Kaufman, 2015)
- Chi-Raq (Spike Lee, 2015)
- The Danish Girl (Tom Hooper, 2015)
- The Hateful Eight (Quentin Tarantino, 2015)
- Brooklyn (John Crowley, 2015)
- Evolution (Lucile Hadžihalilović, 2015)
- Ex Machina (Alex Garland, 2015)
- Mad Max: Fury Road (George Miller, 2015)
- The Overnight (Patrick Briece, 2015)
- Sisters (Jason Moore, 2015)
- Star Wars: Episode VII - The Force Awakens (J. J. Abrams, 2015)
- Steve Jobs (Danny Boyle, 2015)
- The Fits (Anna Rose Holmer, 2015)
- The Witch (Robert Eggers, 2015)
- The Lobster (Yorgos Lanthimos, 2015)
- 20th Century Women (Mike Mills, 2016)
- Arrival (Denis Villeneuve, 2016)
- Best Worst Thing That Ever Could Have Happened (Lonny Price, 2016)
- Fantastic Beasts and Where to Find Them (David Yates, 2016)
- I Am Not Your Negro (Raoul Peck, 2016)
- Lady Macbeth (William Oldroyd, 2016)
- Lo and Behold, Reveries of the Connected World (Werner Herzog, 2016)
- Mapplethorpe: Look at the Pictures (Randy Barbato and Fenton Bailey, 2016)
- Moonlight (Barry Jenkins, 2016)
- A Quiet Passion (Terence Davies, 2016)
- Rogue One: A Star Wars Story (Gareth Edwards, 2016)
- Weiner (Josh Kriegman and Elyse Steinberg, 2016)
- The Killing of a Sacred Deer (2017)
- Faces, Places (Agnes Varda, 2017)
- Karl Marx City (Petra Epperlein and Michael Tucker, 2017)
- OBIT. (Vanessa Gould, 2017)
- Song of Granite (Pat Collins, 2017)
- T2 Trainspotting (Danny Boyle, 2017)
- Good Time (Ben Safdie and Josh Safdie, 2017)
- The Other Side of Hope (Aki Kaurismäki, 2017)
- The Square (Ruben Östlund, 2017)
- Wormwood (Errol Morris, 2017)
- On the Beach at Night Alone (Hong Sang Soo, 2017)
- Star Wars: The Last Jedi (Rian Johnson, 2017)
- Happy End (Michael Haneke, 2017)
- Phantom Thread (Paul Thomas Anderson, 2017)
- Beuys (Andres Veiel, 2017)
- 24 Frames (Abbas Kiarostami, 2017)
- The Insult (Ziad Doueiri, 2017)
- The Florida Project (Sean Baker, 2017)
- The Death of Louis XIV (Albert Serra, 2017)
- Nocturama (Bertrand Bonello, 2017)
- Assholes (Peter Vack, 2017)
- Ex Libris: The New York Public Library (Frederick Wiseman, 2017)
- Lucky (John Carroll Lynch, 2017)
- I, Tonya (Craig Gillespie, 2017)
- Zama (Lucrecia Martel, 2018)
- Sorry to Bother You (Boots Riley, 2018)
- Claire's Camera (Hong Sang Soo, 2018)
- The Death of Stalin (Armando Iannucci, 2018)
- The Rider (Chloé Zhao, 2018)
- The Favourite (Yorgos Lanthimos, 2018)
- Let the Sunshine In (Claire Denis, 2018)
- BlacKkKlansman (Spike Lee, 2018)
- Cold War (Pawel Pawlikowski, 2018)
- If Beale Street Could Talk (Barry Jenkins, 2018)
- Varda by Agnès (Agnès Varda, 2019)
mar 11 2014 ∞
dec 7 2019 +