Women’s Noir

• Ladies in Retirement (1941, Charles Vidor)
• The Seventh Victim (1943, Mark Robson)
• Christmas Holiday (1944, Robert Siodmak)
• Mildred Pierce (1945, Michael Curtiz)
• My Name is Julia Ross (1945, Joseph H. Lewis)
• Shock (1946, Alfred L. Werker)
• The Spiral Staircase (1946, Robert Siodmak)
• Strange Impersonation (1946, Anthony Mann)
• Shock (1946, Alfred L. Werker)
• It Always Rains on Sunday (1947, Robert Hamer)
• Born to Kill (1947, Robert Wise)
• The Man I Love (1947, Raoul Walsh)
• Possessed (1947, Curtis Bernhardt)
• Deep Valley (1947, Jean Negulesco)
• Lured (1947, Douglas Sirk)
• Sleep, My Love (1948, Douglas Sirk)
• Secret Beyond the Door… (1948, Fritz Lang)
• Raw Deal (1948, Anthony Mann)
• Sorry, Wrong Number (1948, Anatole Litvak)
• Caught (1949, Max Ophüls)
• The Reckless Moment (1949, Max Ophüls)
• Beyond the Forest (1949, King Vidor)
• Flamingo Road (1949, Michael Curtiz)
• Whirlpool (1949, Otto Preminger)
• No Man of Her Own (1950, Mitchell Leisen)
• The File on Thelma Jordon (1950, Robert Siodmak)
• Born to Be Bad (1950, Nicholas Ray)
• Woman on the Run (1950, Norman Foster)
• The House on Telegraph Hill (1951, Robert Wise)
• Clash by Night (1952, Fritz Lang)
• Don’t Bother to Knock (1952, Roy Ward Baker)
• Sudden Fear (1952, David Miller)
• One Girl’s Confession (1953, Hugo Haas)
• The Blue Gardenia (1953, Fritz Lang)
• The Bigamist (1953, Ida Lupino)
• Dangerous Crossing (1953, Joseph M. Newman)
• Private Hell 36 (1954, Don Siegel)
• The Scarlet Hour (1956, Michael Curtiz)
• Crime of Passion (1957, Gerd Oswald)