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May 1938 with the issue of Penguin Illustrated Classics. E. V. Rieu's translation of Homer's Odyssey in 1946 the original Classics list (known in the trade as "Black Classics") the old Penguin Twentieth-Century Classics list - silver covers 'Penguin Modern Classics' with a pale green livery.
1937 (three bands), 1955 (grid), 1969 (illustrated), and 2007 (a "Penguin Celebrations" throwback edition)
discontinued in 1984.
Gollancz's Left Book Club.
inspired by the Editions Père Castor books drawn by Rojan Puffin Picture Book series (1940-)
The Picture Books' 120 titles resulted in 260 variants altogether, the last number 116 Paxton Chadwick's Life Histories, was issued hors série in 1996 by the Penguin Collector's Society. Puffin Story Books series
creation of the Puffin Club in 1967 quarterly magazine Puffin Post, which at its height had 200,000 members. The Puffin authors' list added Arthur Ransome, Roald Dahl and Ursula K. Le Guin during Webb's editorship and saw the creation of the Peacock series of teenage fiction.
Georg Dehio's Handbuch der deutschen Kunstdenkmaler, a topographical inventory of Germany's important historic buildings which was published in five volumes between 1905 and 1912.[37] Though Pevsner's ambition for the series was to educate and inform the general public on the subtleties of English architectural history, the immediate commercial imperative was competition with the Shell Guides edited by John Betjeman of which thirteen had been published by 1939.[38] With Lane's agreement in 1945 Pevsner began work personally touring the county that was to be the subject of observation aided by notes drawn up by researchers. The first volume, Cornwall, appeared in 1951, and went on to produce 46 architectural guidebooks Kunstgesichte
In January 1941 the first issue of Penguin New Writing appeared and instantly dominated the market with 80,000 copies sold compared to its closest rival, Cyril Connolly's Horizon, which mustered 3,500 sales in its first edition. Penguin New Writing's editor John Lehmann was instrumental in introducing the British public to such new writers as Lawrence Durrell, Saul Bellow and James Michie. Yet despite popular and critical success further rationing and, after 1945 declining sales, led monthly publication to become quarterly until the journal finally closed in autumn 1950 after 40 issues. Though New Writing was the most durable of Penguin's periodicals it wasn't the publisher's only foray into journalism with Russian Review, Penguin Hansard and Transatlantic begun during the war, and Penguin Film Review, Penguin Music Magazine, New Biology, Penguin Parade, Penguin Science Survey and Penguin Science News having brief runs after.
the first title Painting in Britain, 1530-1790 by Ellis Waterhouse was issued in 1953. By 1955 Pevsner produced a prospectus for the series announcing the publication of four new volumes and a plan for the rest of the series totalling forty-seven titles. The ambition of the series exceeded previously published multi-volume histories of art such as André Michel's Histoire de l'art (17 vols, 1905–28), the Propyläen Kunstgeschichte (25 vols, 1923–35). Forty-one volumes were published by the time Pevsner retired from editing in 1977, his work was continued by his editorial assistant on the Buildings of England Judy Nairn and the medievalist Peter Lasko. Yale University Press acquired the series in 1992 when 45 titles had been completed, they subsequently published 21 volumes, mostly revisions of existing editions.
(influenced by Insel Verlag)
The series ran to 76 volumes. Other series include: