• the idea of order
  • instant mythology
  • Jūkichi Yagi and Weldon Kees
  • j.p. nourry-barry vs. nick blinko
  • cat's grin
  • simplicity of det{{u1,u2},{v1,v2}} for area of rectangles/paralellograms
  • "rolled longitudinally into itself"
  • heidegger's intro to sein und zeit - defining "is" without the paradox of the word being contained in its own definition
  • "but my garden still grows"
  • "down to the drywall"
  • fear as a prominent feature
  • resemblance proves existence; the image holds up the loss
  • the receding hairline of an overweight fifty-two-year-old / with a hard-on in the shower; pleasure in the dead man's jaws
  • keith waldrop & the (o/a)bject: "i would like to be beautiful when written." on a line with royet-journaud (trans by keith, even!): "A book is not a property. / Whose property is a body?"
  • "Rien / Ne me / Retient // Porte / et fenêtres / closes" - Gugliemi vs Kafka's “Rien ne me retient. Portes et fenêtres ouvertes. Terrasses vastes et vides”
  • chasing the black phantorgasm (sic)
  • the acid mantle
  • dreams of death
  • invasive species
  • Paul-Armand Gette's favourite flower
  • art is not a product that needs a stage to exist, as confectioners dress a little fat and sugar in a foil package to make us believe that it is a treat
  • le mauvais vitrier de baudelaire on film, in black-and-white
  • http://en.wikipedia.org/wiki/Victim_soul
  • Swami Sivananda Radha and the foundations of Yasodhara Ashram
  • dan vo guitar freakouts - 1 & 2
  • G&L ASATs and all other G&L models
  • lacrime rerum, 物の哀れ and Lu Xun's epigraph in Wild Grass
  • the territory is not the map
  • termite anticipation
  • fred davis - varieties of antifashion
  • "Pull up your pants, kid, you’re humping the wrong fire hydrant." / "If that skirt was any shorter, you’d need another hairnet."
  • sparks from the fragmentation; the vague & senseless deposit
  • fanon's black skin, white masks: "I am not a prisoner of History. I should not seek there for the meaning of my destiny. / I should constantly remind myself that the real leap consists in introducing invention into existence. / In the world through which I travel, I am endlessly creating myself. / I am part of Being to the degree that I go beyond it"
  • how many lightbulbs does it take to change people?
  • representation and bliss are mutually incompatible
  • octopus magazine's recovery
  • gugleilmi's "fear again the legacy of fear" / in fear of fear, the irony of the perfect pop skeleton
  • milford graves's free jazz music therapy
  • past the age to please
  • DAADAD & .11s
  • all gods go to heaven
  • "Aura of Power"
  • contamination without consent
  • Bossmen vs the Chrome Cranks
  • « la haute mer faite d'une éternité de chaudes larmes. »
  • learning history in the cellar, comedy in the attic
  • Hommeage: an ode to a man
  • learn to be lucky
  • the mise en scène (or lack thereof) of Perls' Gestalt "plays"
  • absence and silence as literally unthinkable concerns
  • the prefix of 'sur-realism'; the realm of the surreal is posited as one necessarily bound to sense-experience ... the limits of the label are ill-matched with the possibilities of the genre. While the flights of fancy of surrealist writers are unimaginable in our own sociobiological contexts, the prefix chains them doggedly to the most pragmatic of existences. so the sur-real remains perched, ever-precariously, atop the socioeconomic contexts of the writer's era; as bataille, in old mole, criticizes, the blatantly bourgeois stylings of Breton.
  • the plausibility of Bataille's notion of sexuality, mythology (ie communication of cultural knowledge w/o the institution) as revolutionary catalysts, analyzed as per the thoughts of Foucault's History of Sexuality
  • Mallarmé to critics: "My preferred response to aggression is to retort that some contemporaries do not know how to read––except newspapers, that is."
  • distrust that particular flavour
  • "What accounts for the fact that there are fewer words in ordinary language that refer to positive as opposed to negative emotional states?"
  • kill or cure
  • whitehead's process-relational theory; "emphasizing becoming rather than [...] being"
  • alone, almost alabaster / hung like a dead bone / and bitter
  • gropius's reading of caspar david friedrich (monument to the march dead emerges from the sea of ice)
  • "designed to cast a large shadow"
  • can you feel the muscle hardening? when is change not diachronic?
  • serum Mg2+ in persons w/ mesial temporal lobe epilepsy; fx of ketogenics on serum Mg2+ (upregulation?); see Palacios-Prado & James Nagy team in Nat Commun.
  • living in different mirrors
  • V.I.T.R.I.O.L.U.M.
  • "I write on the page of a notebook -- is it writing or is it instead a drawing, a sign, a formula? lines overlap, grow blurred like the simultaneities of a moment of thought, at the time I feel my writing is ash and that if I tip the page the ash will slide along with its meaning -- the plea I bury under the gravel."
  • 'foucault' = anagram of 'UFO cult'
  • synthetic Thanatos, Eros desublimed
  • Shanghai in fangs
  • Fredric Jameson's postmodern hyperspace; the need for whole new perceptive organs to overcome the decentering effects of globalization x capitalism
  • E. Savitzkaya
  • McEvilley: "Rejection of the Dionysian does not serve the purpose of clear and total seeing."
  • dice thrown to annul chance; to not transgress the measure, but merely to disperse it
  • the scent of burnt-out candles: identifying the pious catholic
  • the diary of chianine
  • "the entire book is a wound"
  • temperaments, not characters. Human animals and nothing more.
  • Atropos eternal: "Very well, if I cannot spin, I can at least cut the thread."
  • red sky / skirt torn / high / from fighting // a cusp / the two of them / a version / of the end
  • i and eye
  • the people's park
  • disappointment survives the situation
  • The Later Poetry of Wallace Stevens: Phenomenological Parallels with Husserl and Heidegger
  • melanin skin
  • growing (infant to adult) as the unmourned death-in-life
  • a suicide pact with the void
  • the known as the rot of the unknown
  • the chauffeur
  • "you, the hook on which i hang above the abyss"
  • the Talmud & torture of endless commentary
  • vivre sa vivre / lire son livre
  • clamped in the depths, climbing out of yourself
  • au silence de celle qui laisse rêveur (to the silence of one who leaves us dreaming)
  • lead turned to gold in the pupil's perfect black
  • the forever-outwards spiraling of Bruce Goff
  • to grow so bitter everything tastes sweet
  • A. auricula-judae
  • pastel brown
  • "I suppose that what I have learnt is that sometimes a building can seem like a ghost."
  • not subject to categorization, only death
  • "Poetry sometimes escapes, but it still remains to escape from poetry."
  • the point / which points directionless
  • mantra: participate in the destruction of the world that exists, eyes open to the world that will be
  • bleach in a black box
  • "the living are few, the dead many." "that's a trip i'm not planning anymore."
  • a meaningless tear
  • outside, submitted, on the floor. the voice treads over, an unappeasable rage. each stain reinvigorates with a restless caution. a lot like silent e(a)'s(e). i write as far away from myself as possible. // he is sleeping on the woodpile. human strength & earthly weakness no longer different. our crushable, frozen hand knows no different - a fault in the breath. i cannot speak before this sky. // and then we turn into the cold wind as if searching for words no longer within us.
  • only one libido: the demon of shame
  • regulation of ion channel conductances to attenuate paroxysmal depolarization shifts characteristic to a seizure event - decreasing conductance of K+ to mitigate hyperexcitability?
  • "On what was his artistic purpose to "mature into childhood" based? Childhood here is understood as the stage when each sensation is accompanied by an inventive act of the imagination, when reality, not yet systematized by experience, "submits" to new associations, assumes the forms suggested to it, and comes to life fecund with dynamic visions; childhood is a stage when etiological myths are born at every step. It is precisely there, in the mythmaking realm, that both the source and the final goal [...] reside."
  • "I want to realize the dimensionless space separating the seeing point of my eye from the screen of my eyelid."
  • nevertheless when the / Son of man cometh / shall he find faith on / the earth? // "I fear we are not getting rid of God, because we still believe in grammar (Nietzsche)
  • the lozenge of the lover's knot
mar 1 2014 ∞
mar 18 2015 +