plays

• the last breath
  • role: arthur, a man who makes a pact to prolong his life.
  • synopsis: arthur is a terminally ill man who has given up hope on finding a cure for his condition. one night, a stranger offers him a faustian deal: in exchange for arthur’s soul, he will grant him a chance to survive and live a full life. desperate, arthur agrees. afterward, he finds himself in perfect health, free from illness. however, as he continues living, arthur discovers that the deal comes with a horrific twist — he must slowly siphon the life force from those around him, stealing their health to maintain his own.
  • critical reception: lars’s portrayal of arthur’s moral struggle between survival and guilt was described as compelling and tragic. his emotional depth as a man wrestling with his pact was noted for drawing the audience into his despair.
• beneath the surface
  • role: thomas, one of the strangers.
  • synopsis: a minimalist play about two strangers who are forced to spend a night together in an elevator. as the night progresses, they engage in a quiet but intense conversation, revealing their innermost thoughts, desires, and vulnerabilities. the play explores themes of isolation, connection, and the struggle to understand others beyond superficial appearances. with each passing moment, the tension grows, and the audience is drawn into the complexities of human interaction and the hidden layers beneath our outward facades.
  • critical reception: critics have lauded the play for its powerful exploration of human vulnerability and the intricacies of social connection, stating that the minimalist setting and the sparse dialogue are balanced with emotionally charged performances.
• night at the edge of the mind
  • role: nathaniel, a man on a search for his lost memories.
  • synopsis: the stage is set as a disjointed, fragmented space filled with puzzle pieces scattered across the floor. nathaniel, the lead character, has lost his memories and is trying to piece his life back together. as the play unfolds, the audience is invited to physically rearrange the pieces and alter the direction of nathaniel’s story. the play alternates between multiple endings depending on how the audience chooses to piece together nathaniel’s fragmented past.
  • critical reception: lars’s portrayal of nathaniel was commended for its flexibility and emotional openness, given that the narrative constantly shifted based on audience interaction. critics were impressed by how lars maintained continuity in his character’s emotional journey despite the fragmented structure, showcasing his depth and adaptability as a performer.
• anathema
  • role: elias, a charismatic cult member on trial.
  • synopsis: the audience acts as the jury as elias, a loyal follower of a notorious cult leader, takes the stand. through monologues and cross-examinations, the play explores loyalty, manipulation, and redemption.
  • critical reception: anathema was considered a thought-provoking triumph and a “masterclass in theatrical tension that leaves the audience grappling with their own biases”. the interactive format, where the spectators assume the role of the jury, was praised for immersing the viewers in the moral complexities of cult dynamics, making every performance feel uniquely personal and harrowing. the critic also deemed lars a revelation, claiming he had an electrifying and deeply unnerving presence, oscillating between charm and menace with unnerving ease.

television productions

• ripped pages
  • role: theodore chapman, a literature student who joins the group investigating the mysterious literary society.
  • synopsis: when a group of literature students stumbles upon a second-hand book filled with annotations and references to a long-defunct secret literary society, they uncover a dark campus legend. intrigued by the myth of a former refuge for the most brilliant writers amongst the students which was abruptly dissolved amidst several incidents that occurred on campus, the students decide to gather all the traces of its history, only to find themselves reliving it. as their activities attract the attention of the enigmatic professor hart, an aging yet charismatic faculty member with ties to the original society, the students believe they have found an ally, only to discover that hart's intentions are far from friendly.
  • critical response: while the show may not be a standout, the cast brings energy and depth to their roles, making the most of the material they were given. lars’s television debut was said to lay a strong foundation for what could be a promising on-screen career, despite still having some rough edges. many seemed eager to see more of him.
• the ballad of the crescent house
  • role: miles duvall, a former talented jazz bassist and now a quiet, enigmatic figure in the mansion’s past. unlike the more overtly malevolent spirits that haunt the house, miles’s influence is insidious and passive, often appearing as an almost comforting, but deceiving, presence in the shadows. he rarely directly interacts with the living, but his quiet whispers and faint gestures have a way of nudging people toward their darker impulses.
  • synopsis: the ballad of the crescent house is a supernatural thriller centered around oliver, a talented but struggling artist who, desperate for inspiration and a place to stay, trespasses into a grand, mysterious mansion on the outskirts of new orleans. the manor, formerly owned by a famous couple in the local jazz scene, now lies abandoned with a dark and tragic past. the story unfolds as oliver moves in, only to be drawn into the house’s disturbing history and haunted present.
  • critical response: lars’s portrayal of miles was said to highlight the show’s strength in creating multifaceted characters, living and dead, and to set itself apart from other entries in the haunted house genre is its subtlety, as rather than relying on overt supernatural phenomena, the series builds its tension through atmosphere, suggestion, and an undercurrent of unease, thriving on ambiguity and letting viewers question the boundaries between the house's supernatural influence and the projection of the protagonist's unbalanced psyche.
  • on-set gossip: lars developed a habit of slipping away during breaks to explore the surrounding neighborhoods, with some speculating it was part of his process to channel miles’s ghostly presence. but it wasn’t just the streets of new orleans that captured his attention — lars was often seen disappearing into the city’s vibrant nightlife. he became a regular at iconic jazz clubs, where he’d sip whiskey, lose himself in the music, and occasionally charm his way onto the stage for improvised performances, with the crew joking that miles had possessed him. in addition, lars befriended a local bartender and helped create a cocktail inspired by miles — a smoky bourbon drink with hints of absinthe. cast and crew often met there after filming, dubbing it the crescent house spirit. there were also rumors of him being involved in voodoo rituals and seeking out spiritual guidance from local practitioners, leading some to believe he was attempting to tap into something darker for his portrayal. allegedly, he even led a small group of cast and crew in a séance during a night out.
• the hunger
  • role: julian, the chef's boyfriend, who is forced to accompany him in his bizarre tastes in the man's attempt to excuse his urges.
  • synopsis: a talented chef’s career begins to spiral when he starts developing a disturbing craving for human flesh. as he gets closer to losing control of his desires, he finds himself caught in a web of temptation and indulgence, and resorts to extreme strategies to justify his appetites.
  • critical response: the hunger was hailed as a bold, provocative exploration of human desire, power dynamics, and moral decay. its nuanced approach to body horror and psychological tension set it apart from typical genre fare, with particular praise given to the chemistry between lars and his co-star. lars’s performance was widely praised for ability to embody the quiet horror of a character who swings between love and repulsion as he becomes entangled in his partner’s dark appetites, with highlights to how he conveyed julian’s inner turmoil through subtle gestures and expressions, creating a character who was as tragic as he was complicit.
  • on-set gossip: lars and sebastian, the lead actor, attended several fine dining experiences, cooking lessons and dining dates together to study the dynamics of food and intimacy. further into the production, they would also host gourmet nights for some of their castmates, during which rumors swirled that they were in a relationship, or even engaged. perhaps to stir up rumors, lars even publicly presented his co-star with a cookbook with his photo on the cover and the inscription: "for when the cravings hit". however, in later interviews, they both stated that it was only an intense creative exchange — with some benefits.

movies

• saltwater
  • role: anthony, a young man caught between two worlds.
  • synopsis: raised in a small coastal town, anthony is torn between his heritage as the son of a fisherman and his dreams of escaping to the city to pursue a career in art. when his best friend, samuel, is forced to leave for work, anthony’s sense of isolation deepens. over the long, dark winter, anthony begins to question not only his future but also his feelings for samuel, who has always been his closest confidant. the intimacy of their shared experiences gradually reveals a deeper connection, leading anthony to confront his sexual identity in a place that seems hostile to anything beyond tradition. torn between his desire to leave for a new life and his conflicting emotions about samuel, anthony’s journey becomes one of self-discovery, as he must decide whether to follow his heart or his obligations to family and community.
  • critical reception: saltwater was praised for its evocative cinematography and lars’s quietly compelling performance. critics noted how he skillfully conveyed anthony’s inner conflict with a delicate, nuanced approach, particularly in the moments of tension between his desires and his circumstances. his portrayal of anthony’s evolving feelings for samuel was both subtle and profound, adding depth to the film’s exploration of identity and belonging.
• fading stars
  • role: jude, the younger brother.
  • synopsis: set in a small coastal town, the story follows a teenage boy whose life is marked by the untimely death of his older brother, a promising star in the world of music. he tries to step into his brother's shoes but constantly feels overshadowed by the memories of what could have been. the film portrays his journey through grief, identity, and the pressures of living in someone else's shadow, with moments of delicate intimacy and exploration of human connection.
  • critical reception: fading stars was widely celebrated for its cinematography, with its soft, melancholic palette and lingering shots, which was complemented by the lead performance, that was said to excel at capturing the quiet ache of loss and the struggle to find one's voice amidst the weight of legacy.
• the last breath
  • role: james, the young protégé.
  • synopsis: a reclusive novelist accepts a protégé who mirrors his younger self, but their partnership spirals into a deadly rivalry.
  • critical response: the film’s exploration of the destructive dynamics of mentorship has been a focal point in most reviews. the relationship between james and his reclusive mentor was described as tragic and inevitable, reflecting the dangerous intersection of genius and ego. james’s transformation from an eager student to a rejected apprentice and then to a menacing rival felt both organic and chilling, and lars’ was praised for his ability to portray his character’s volatile emotions as he grappled with envy, ambition, and desire for validation with seemingly effortlessness.
  • on-set gossip: lars and his co-star reportedly had their own battle of wills on set. while both actors respected each other’s craft, their different approaches led to occasional disagreements about scene dynamics. lars, known for his instinctive and improvisational style, often pushed for unscripted moments, while grant preferred a more structured approach. despite their clashes, these tensions were said to enhance their performances, mirroring the dynamics of their characters.
• blood bloom
  • role: elias, a florist with a hidden dark side.
  • synopsis: elias runs a small-town flower shop with an unusual specialty — providing toxic plants to those seeking revenge. when he falls for a customer, his carefully curated life begins to unravel.
  • critical reception: considered a stunningly crafted tale, blood blossom was praised for the balance between its macabre premise and the unexpected tenderness, which was heavily influenced by lars’s performance, which stood out for its precision and ability to draw the audience in with his measured pace, which set just the right tone for the narrative.
  • on-set gossip: it was no secret that lars spent weeks working at a flower shop in preparation for his role, learning everything he could about the craft. however, what seemed to be just a methodic way to embody his character turned into something slightly more peculiar, as he would bring a new handmade bouquet to set every day and find a way to slip them into the scenes, or simply gift it to his castmates. and while this habit seemed harmless at first — just another one of his eccentricities —, rumors soon started circulating that there was more to these floral gestures than met the eye, especially after one of his co-stars, with whom he had a public argument beforehand, received a bouquet of yellow roses, which symbolized jealousy. as other cast and crew members started receiving bouquets that seemed oddly specific, the whispers intensified, and the once innocent gesture began to carry a weight of suspicion. despite that, sources pointed that lars kept a casual demeanor, as if completely unaware of the stir his gifts caused, which only added to the confusion. when questioned about the bouquets in interviews, lars’s responses were often vague: “i like to think flowers speak for themselves, but i guess they mean what you want them to mean”.
• flicker and fade
  • role: victor wright, a faded, former child star.
  • synopsis: victor is a former child star who once dominated the silver screen, but after a public scandal and a mental breakdown, he retreats from the limelight. living in near-complete isolation, he spends his days watching old footage of his past performances, searching for clues to understand the man he used to be. when a documentary filmmaker, maya, seeks him out for an interview, victor reluctantly agrees, hoping it will help him reclaim his identity. as the interview sessions progress, victor slowly opens up about his traumatic past, the pressure of growing up in the public eye, and his struggle with addiction. however, maya begins to uncover unsettling truths — the lines between truth and performance start to blur, and victor’s obsession with his own image deepens, spiraling him into a dark psychological state. the documentary, meant to be a reclamation of his story, becomes a twisted exploration of self-destruction, identity, and the burden of fame. flick and fade is a psychological thriller that questions the nature of fame and the search for authenticity in a world obsessed with image.
  • critical reception: lars’s depiction of a former child star grappling with the aftermath of fame was praised for its emotional depth, as he skillfully navigated victor’s internal struggle, capturing the delicate balance between vulnerability and arrogance as he portrayed a man who was consumed by the very fame that once made him. it was stated that he brought an unnerving authenticity to the role, making victor’s mental unraveling both empathetic and chilling, which not only captivated audiences but also sparked real-world discussions about the toll fame takes on its subjects, bringing to light similar stories of child stars who had struggled with the harsh realities of growing up in the public eye, with many viewers drawing parallels to the experiences of real-life figures.
  • on-set gossip: lars was particularly close with the film’s costume designer, nina, who helped bring victor’s distinctive look to life. “lars has a very hands-on approach when it comes to his character’s wardrobe,” said nina. “he wasn’t just about the clothes — he wanted to understand the psychology behind every piece. i remember one day he asked for a specific fabric to be used in a scene, saying it would feel more like victor. he would sit there with me, discussing every detail, sometimes for hours. it wasn’t just about the visual, but about the connection he felt with what victor was wearing. it was like he was living in the character’s skin, literally and figuratively.” their close working relationship led to nina sometimes joking, “lars has more opinions about costume choices than most actors. but he’s also one of the few who really thinks about how the clothes are part of telling the character’s story”.
• smudged ink
  • role: noah reid, a manipulative young writer.
  • synopsis: a psychological drama about noah reid, a struggling novelist who manipulates his wealthy lover, helena, into financing his latest book. as their relationship becomes increasingly toxic, noah begins weaving their tumultuous romance into his manuscript, blurring fiction and reality. the film explores themes of ambition, betrayal, and the lengths people will go for art.
  • critical reception: lars’s performance was praised as “layered and morally ambiguous,” with audiences both repelled and mesmerized by his portrayal of noah’s cunning and charm. the movie sparked discussions about the ethics of storytelling and the cost of success.
  • on-set gossip: lars reportedly clashed with the director harvey steele over creative decisions, with rumors of screaming matches between takes. despite this, steele later called him "an actor of devastating brilliance”.
• bleeding muse
  • role: oliver renard, an obsessive artist.
  • synopsis: a celebrated but disturbed painter becomes consumed by his fixation on a young muse, blurring the lines between inspiration and obsession. his unrelenting quest to immortalize her beauty leads to a climactic, haunting scene where, in a fit of desperation and delusion, he uses her blood to complete his masterpiece.
  • critical reception: the film polarized audiences, hailed as a masterpiece by some and dismissed as grotesque indulgence by others. kit's performance was described as "hypnotic and terrifying," with critics praising his ability to portray both oliver's genius and unraveling psyche.
  • on-set gossip: lars often painted between takes, creating eerie portraits of the crew members. one painting allegedly unnerved the director so much it was removed from the set. it is also said he requested real blood for some of the scenes, claiming it would make them more authentic, and got into an argument with a castmate about it. the request was ultimately denied, of course.
• the serpent’s will
  • role: alexander laine, a cult leader.
  • synopsis: a psychological thriller about a charismatic but deeply disturbed young cult leader and a infiltrated journalist, who joins their community determined to uncover the truth behind it, and becomes torn between alexander’s hypnotic personality and the horrific lenghts he’s willing to go to expand and maintain his power. while she faces the choic between exposing or joining him, laine’s manipulations take a personal turn, as he sees the journalist as both a threat and a reflection of his own desires for dominance.
  • critical reception: praised as "lars’s most chilling performance," his portrayal of alexander was compared to a cobra — "beautiful to watch, but deadly to encounter." some critics noted his ability to make even the most manipulative moments feel disturbingly sincere.
  • on-set gossip: lars was rumored to have held impromptu "sermons" and held private meetings with his crew members on set, staying in character between takes most of the time, which led the cast to nickname him “father lars”. while most of his co-stars said it was an interesting experience, some found it disturbing, stating it led to moments of discomfort in between scenes.
• sculpted desire
  • role: vincent martell, a recluse artist.
  • synopsis: vincent martell, a talented but emotionally scarred sculptor in his early thirties, lives in solitude in his grand, decaying mansion. obsessed with perfection, vincent’s sculptures are his only companions, and he sees them not just as art, but as vessels of his unspoken desires. one night, while struggling with a creative block and a sense of inner emptiness, vincent begins sculpting a statue of jules, a young man he’s seen fleetingly in a local café, and pours all his longing, lust, and pain into the piece, convinced it will be the one to finally complete him. however, his creative process soon turns into something much darker, as he begins to hallucinate, and his muse seems to be everywhere, and then — to his growing horror and desire — to be alive.
  • critical reception: “sculpted desire” was both hailed and criticized for its daring take on the pygmalion myth, blending elements of psychological drama, erotic thriller, and supernatural horror. critics praised lars’s portrayal of vincent, noting his ability to balance the character’s deep emotional scars with his overpowering desire for control. his chemistry with his co-star was described as “electrifying” and “perverse,” creating a dynamic that was both titillating and disturbing. the film’s erotic elements, particularly its explorations of obsession and dominance, sparked much debate. some critics found it deeply provocative, calling it “a masterpiece of modern erotic cinema,” while others argued that it flirted too closely with uncomfortable power dynamics. the film’s exploration of art as a form of possession was praised as an ambitious reflection on the nature of creativity and desire.
  • on-set gossip: sources on set mentioned that lars would sometimes be found sketching his co-star, eliot vance, in suggestive, provocative poses, during breaks in filming, which kept the sexual tension present even when the cameras weren’t rolling, and sort of blurred the lines between their roles and real lives. it was stated that the atmosphere between them was so intense that it occasionally made the environment feel charged, almost like they were reenacting the emotional manipulations in the script. one crew member admitted, “it was like we were all watching a slow-burning trainwreck — fascinating, but uneasy. they were too close to the edge”. rumors about an affair were never confirmed or denied by either of them.
• mindscapes
  • role: hugh, a young, talented artist whose rapid rise to fame has left him grappling with the overwhelming pressures of public expectation, self-worth and artistic identity.

synopsis: a surreal, art-house-inspired movie that follows the dreamlike journey of a young artist who struggles with the pressures of fame. each scene is a fragment of the artist's mind, filled with abstract visuals and cryptic symbolism. the production explores themes of artistic obsession, self-doubt, and the consequences of living in a constant state of surreal hyperreality.

• critical reception: mindscapes has been hailed as a visually stunning movie that challenges the boundaries of traditional storytelling. critics praise its bold, experimental approach and lars’s deep, introspective performance of the lead actor. however, some viewers found the abstract narrative to be difficult to follow, leading to mixed reactions.
• on-set gossip: although there were many rumors of creative differences between pheobe langdon, the director, and lars at the beginning of production, to the point of almost calling it off, sources claim that they found a middle ground after many heated fights, coming to appreciate each other’s perspectives and develop an intellectual camaraderie that was the defining part of the work. once the feud was over, it is said they shared many late-night philosophical discussions on set, which led some to speculate that their relationship went beyond professional respect. the fact that the director was married only fueled the gossip, especially after an incident where her husband reportedly confronted the actor on-set. some even saying things got physical before crew members intervened. when addressing the rumors in interviews, lars stated: “those were interesting days. you know, working on something you’re deeply involved in means you're constantly walking a tightrope. pheobe and i had very different ideas at the start, but the respect was always there — it just took us a while to find it. did we argue? absolutely. did we almost kill each other? maybe. did her husband want to kill me? well, you’d have to ask him. all i can say is that i’m very much alive. people love a good story, don’t they? and honestly, i can’t blame them. but the reality is often far less exciting.”