- Cooper Howard | The Ghoul/Lucy MacLean
- Ain't Much Stays Clean: (E) But there is nothing left to kill. There is only their hard won survival, and the crush of her mouth against his.
- Only Logical Harm: (E) Lucy’s rollercoaster of a wedding night had awakened many things in her all at once.
- Into The Wastes: (E) Vaultie doesn’t talk much for the first couple of days.
- A Lick and A Promise: (E) Except now the problem is that for all his teasing and baiting, the Ghoul keeps himself at a distance. Which is fine, Lucy is an excellent problem-solver.
- You Make Me Feral: (E) In which Coop represses his unwanted feelings until he starts to go feral. Lucy tries to help.
- Softness: (E) When Lucy and The Ghoul take shelter from a radstorm, Lucy asks for some help stitching up her wound.
- We Don't Have To Be Friends: (E) Lucy had the sort of face girls in the movies had: clear skin, big eyes, and neat hair. Beautiful in the way she’d make a good price at any given market if he was inclined to sell her. Beautiful in the way people loved to exploit.
- And When Her Edges Soften, Her Body is My Coffin: (E) Lucy is on the slow and painful path of ghoulification. Cooper is there to distract her as requested.
- We Tangle, Endlessly: (E) Cooper and Lucy on the road post season 1. The good, the bad, the unbearable sexual tension.
- He's a Devil, She's a Demon: (E) Lucy and Cooper discover that who they are together and what the wasteland has made them individually isn't all that different really.
- Kinda Like a Cowboy: (E) The Ghoul's been walking Lucy around on a leash for two days.
- Sole Survivor/Nick Valentine
- A Song For Nick: (M) What she did have was an engineering degree, an endless supply of salvage, and a world full of broken things that needed fixing. She just never expected to fall in love with one of them.
- Sweetest Sound: (E) Nick talks his significant other through orgasm, all without having to touch them even once.
- Heaven Sent, Heaven Demand: (E) On his hunt, Valentine encounters Nora Connors, a smooth-talking woman of mysterious origin, who's purr is far worse than her bite.
- Harrowing: (E) Onerous, draining, harrowing; neither this world nor the previous one have been kind to her. Valentine offers Nora his support.
- They Don't Make 'Em Like That Anymore: (E) A ghoulified Nick Valentine rolls into town to confront the synth using his name. And the Sole Survivor is caught between Nick and... Valentine.
- Dredging: (E) He is used to building things, fitting pieces together in his brain, not with his hands. An engineer Sole Survivor tries to care for Valentine.
- Do Synths Dream of Atomic Deathclaws?: (E) Nick Valentine has never had anything that didn't belong to the other Nick Valentine first. Not yet.
- Speaking His Language: (E) The Sole Survivor, tired of Nick ignoring her advances, decides that what a hard-boiled detective really needs is a dangerous woman with a sharp tongue and sharper curves.
- Dead Woman Surviving: (E) Two years after throwing in with a prewar hothead with an axe to grind, Nick Valentine works another routine missing persons—an overbearing father, a resigned mother and a daughter who just can’t take it anymore.
- Dead Man Talking: (E) In the Commonwealth, a debt is one hell of a thing to forgive.
- John Hancock/Sole Survivor/Nick Valentine
- Makin' Memories: (E) In an attempt to distract herself she takes Hancock along on her next adventure, accidentally letting slip a secret that isn't hers to tell...
- Sharp as a Tack: (E) Anyone can see that Nick and Natalie have a special thing going, even if they won't act on it. Hancock isn't sure where he fits into it, or even if he should be trying to, but when Natalie accidentally takes a large chem dosage meant for him, everything is up in the air.
- The Synth Between Us: (E) Warren is drunk. Hancock is high. Nick suffers the consequences. Which might not be such a bad thing.
- John Hancock/Nick Valentine
- Helping Hand: (E) Trouble finds Nick when he gets caught by another group of thugs.
mar 12 2026 ∞
apr 13 2026 +