sep 21 2016 ∞
nov 11 2016 + jun 1 2016 ∞
apr 26 2017 + In this workshop, I learnt how to Coptic bind. This is beneficial for me, because I will bind my MACHINE STOPS’ book and research document using this method. The method is very complicated, but once you get the hand of this with a lot of practice, then you’ll find it easy. I chose this type of binding, because my book is divided into three sections, PART 1: THE AIR-SHIP, PART 2: THE MENDING APPARATUS and PART 3: THE HOMELESS. I also like the aesthetic of this binding, because of its intersect pretzel knots. I struggled in trying to punch holes right at the centre of the spine of the book, so in the future I should insert the hole with more patience. EVALUATION I made so many mistakes, I did a lot of testers beforehand but I did not use the exact materials in order to test the methods that I want to use for my ‘MACHINE STOPS’. Visually, the final p... mar 11 2016 ∞
jun 1 2016 + gardens / parks
beach / cliffs
jan 17 2016 ∞
aug 12 2016 +
“Kazimir Malevich sought to cast off conceptions linking humanity to a character in a conclusive narrative called life “ structured cosmic sphere of suprematism” nov 11 2015 ∞
nov 23 2015 +
sep 3 2015 ∞
apr 4 2016 + camera
aug 28 2015 ∞
oct 13 2015 + maldives
canada
japan
usa
india
spain
korea may 20 2015 ∞
mar 29 2017 + mar 8 2015 ∞
may 4 2015 + quotes`;
feb 23 2015 ∞
feb 23 2015 + HERDSMAN LAKE PERTH WESTERN AUSTRALA 2006- "The mirroring figures of Maslen and Mehra play a role similar to that of these shadowy figures, even if the reflected segments of nature impart an interior delineation to them and the viewer comes to fantasize real clothing for them, for example the weapons and uniforms of the figures which are ofter thereby made recognizable as soldiers. there is a simple explanation for the reason why human visions reacts in this way. the landscape reflected upon the shape is not considered to be real by the normative criteria stored in our consciousness. it is automatically replaced by an interior structure, which is more appropriate tot he exterior figuration. the human being flows out of his natural limitation, as it were, into these diverse, occasionally magnificent landscapes. the metaphor of a mirror man awakens nothing other than the primal longing to b... jan 18 2015 ∞
feb 23 2015 + for 5 nights
jan 6 2015 ∞
may 3 2015 +
nov 10 2014 ∞
nov 10 2014 + what are memories can we even distinguish the real memories that we envisage and experienced or does our brain only collect memories that we make up through days of our passing lives like a dream; we can’t tell the reality vs dream. are memories even important? the fantasy about falling in love isn’t all grandeur as everyone pictures. this is the same thing with memories; our brain encapsulates every little strong details and events that you experienced in life; positive events where you would want to keep replaying in your mind like a dingy classic film painted in colour or monochrome; some events where you hate to think about all over again but it still creeps on one side of your brain like a latch. Everything around us can be a memory, every second, every minute, every hour, where, when, what and why. “I can only note that the past is beautiful because one never realises an emotio... nov 6 2014 ∞
nov 6 2014 + |
oct 13 2015 ∞
may 11 2017 + jun 8 2016 ∞
oct 21 2016 + rationale: photos taken by me , add machines on the context, bibliography I designed this catalogue in a minimalist layout, using a pastel colour scheme to coherently present a light hearted catalogue, one that it doesnt seem to overwhelm the reader. However I overcrowded each lectures with too much text that it becomes hard to digest all of the words in my perspective. I laid all of the text in columns similarly of a newspaper so that it's presented clearly. I relied on the six column grid system so that each page are set out in a coherent layout through out, eitherwise it would have looked messy if there was no grid system. It was really difficult trying to rearrange images and text over and over again till i was satisfied with a precised layout. I did not want the catalogue to be overcrowded with images and I chose images that were of similar form; mostly in landscape form. may 12 2016 ∞
jun 1 2016 +
feb 28 2016 ∞
jun 1 2016 +
homework: two different split screens of my own personal video, split it more than one giving it different looks. write a sentence or two. to research of two examples of two static images that represent a dialogue and explain why you have chosen them. part print part screen part environment. see how you can visually represent something into scale. also start having ideas of my potential outcome. oct 10 2016 ∞
oct 10 2016 + is a typographic journal, that is a compilation of Underworld's 'mmm... Skyscraper, I Love You' song. The song is about a journey through the suburbs of New York, laid out into conversations. The conversations are jam-packed, almost distorted. It could be implied that it is personified to make it seem busy. The genre of the song is almost psychedelic, electronic,unnatural jan 18 2016 ∞
jan 26 2016 + korean restaurants
chinese restaurants japanese
nov 30 2015 ∞
may 22 2016 +
sep 23 2015 ∞
sep 24 2015 + photographers
aug 28 2015 ∞
apr 26 2017 + may 20 2015 ∞
feb 27 2016 + GOING AGAINST THE GRAIN Words by Stephanie Rosenbaum Klassen Photographs by Hideaki Hamada Styling by Sayuri Sakairi Ever felt like something just doesn’t belong? The world can occasionally make us feel out of place in our own lives, but sometimes being the odd one out brings more joy than you may think. When I told my mother I was leaving my pretty Brooklyn apartment to go live in a tent as a farming apprentice in Santa Cruz, I can’t say she was surprised. I was her black sheep daughter after all: the feisty, opinionated youngest of three girls, the adventurer, the wanderer, the one with good stories instead of a mortgage, books instead of babies. Her address book was full of my constantly changing whereabouts—San Francisco, Italy, New York—scratched out in ink, scribbled in pencil, then finally jotted on Post-it notes s... mar 9 2015 ∞
may 4 2015 + colours feb 24 2015 ∞
feb 25 2015 +
jan 21 2015 ∞
feb 24 2015 + nov 17 2014 ∞
nov 23 2014 + nov 6 2014 ∞
nov 6 2014 + |
apr 26 2017 ∞
may 15 2018 + aug 25 2016 ∞
oct 3 2016 + Tomato project- steve baker Tomato project: is a collection of ideas, concepts, memories and personal approaches that artists do, to express their creations. Tomato allows artists to form a framework and structure their work.
The layout of text and image in every page of process; tomato project resonates altogether in harmony. jan 14 2016 ∞
apr 4 2016 +
jan 25 2016 ∞
feb 29 2016 + WHO IS KAZIMIR MALEVICH The man behind Suprematism Kazimir Malevich (1878-1935) was a pioneer of Russian artist. He developed modern art, by completely transforming his experimental paintings from Russian avant-garde to abstract art. He called this abstract art as “Suprematism” and described it as “that end and beginning where sensations uncovered, where art emerges ‘as such’”. But the whole meaning of Suprematism refers to construction of geometric shapes with a sense of spiritual influence. His artistic exploration aspired him to create new elements, new conceptions of reality and modernism. However it does share similarities with constructivism, cubism, futurism and impressionism movements . The notion of ‘Suprematism’ is treate... nov 23 2015 ∞
apr 26 2017 +
aug 31 2015 ∞
oct 13 2015 + "MOON DUST IN YOUR LUNGS STARS IN YOUR EYES YOU ARE A CHILD OF THE COSMOS AND RULER OF THE SKIES" - for em may 4 2015 ∞
oct 13 2015 + mar 2 2015 ∞
mar 5 2015 +
feb 23 2015 ∞
feb 23 2015 + jan 9 2015 ∞
jan 18 2015 + dec 14 2014 ∞
dec 14 2014 + |