- Sea of Tranquility Emily St John Mandel (How can your content mirror your form?)
- Renaissance Boy by Galimatias (How do you get media to speak to each other so that the use of something gimmicky like seamless transitions is evocative rather than gimmicky)
- Disco Elysium by ZA/UM (What does it take to make creative choices that are cohesive all the way down but also exist within the constraints of technological/financial/personal capacity)
- The Newsroom dir. Aaron Sorkin (How might every single character be a way to say many different things about a single topic)
- Arrival dir. Denis Villeneuve (How can themes/motifs/genre conventions be manipulated in service of something)
- Visiona II by Verner Panton (What would you make if you weren't scared and knew what you wanted exactly)
- the weather project by Olafur Eliasson (What would you make if you were scared and still knew what you wanted exactly)
- Zack Fox Boiler Room (In what ways can your artistic practice be a lifestyle and an identity, and not a hobby/career/hyperfixation?)
- Tim Maia 1980 (How can exploration be projected as an evolution in your self-assured identity rather than a vulnerable moment?)
- Crazy Rich Asians by Kevin Kwan (How might you engage with media through your own unique, subjective experience)
- The Disappearing Act by Florence de Changy (What does it take to get an audience to believe in something they don't want to believe in?)
- A Memory Called Empire by Arkady Martine (In what ways is good fiction just an imitation of reality?)
- Discovery by Daft Punk (What are some works that have stood or been proved by the test of time, and what can we learn from them?)
mar 30 2026 ∞
mar 30 2026 +