ACT ONE: separation (30 to 35K)
the jump start → the first scene in the story where a protagonist with limited knowledge of a problem is drop-kicked into action on page one as conflict begins.
- what is the opening image that will stick in the reader’s mind?
- what is the opening mood?
- what is the opening tone?
- pompous + melodramatic (because i can't write any differently)
- what is the opening conflict?
- man against nature (dustin is fighting his way through the fire to rescue the victim) + man against evil demons from hell (who started the fire)
- what is the protagonist’s outer desire?
- to wake up → (die in the dream)
- to make his sister proud → save the man + be okay w/ dying even if it terrifies him
- what is the protagonist’s hidden need that will filled at the end of the book or series?
- his definition of normal → get family back, not have nightmares
- how does the protagonist demonstrate that he doesn’t really understand the problem?
- believes dad just left him
- believes his mom's crazy
- thinks they're just nightmares
- what is the central theme of the book and how does it relate to the opening scene?
- a person often overlooks what is in front of them when it isn't something that fits into their world view
- the protag ignores the facts: he's never seen this building, the dream is incredibly vivid, he has marks when he wakes up, because it isn't normal
- who is the antagonist?
- samael + unnamed demon force
- how is the antag introduced or foreshadowed?
- intro → demon grabs his ankle + drags him through the wreckage
- later → chase warns him about demons (that he's in danger)
- if the antag is only foreshadowed, is there a main minion who appears?
- is this main minion a recurring character central to the overall plot?
- yes: they're the only villains we know for the most part
- prior to the opening, what internal and external forces have been at work to make the protag suffer?
- internal → desire to be normal, pretending he doesn't care about dad and sis while still trying to make them proud, fear of insanity, overwhelming crush + attraction to samael, lack of friends
- external → dying, nightmares, demons kidnapping his family + trying to get him
- how are these tied to the protag’s hidden need?
- he is internally trying to pretend the external problems don't exist + the demons are causing these external conflicts that keep him from being normal
introducing trouble (aka the call to action) → rightly or wrongly, the protagonist makes an action-based plan and takes the first steps to cope with the trouble.
- how is the protagonist called or propelled into action and moved out of her usual world?
- why is the situation urgent?
- what are the overall consequences if she refuses to act?
- what is the potential overall payoff if she accepts the call to action?
- how does the call to action conflict with what she wants?
- why does she believe she is unwilling to change the status quo?
- how does this conflict what she needs?
- what does she personally stand to lose?
- what could she gain and how does this relate to her hidden need?
- how does she demonstrate a slight, new awareness of her needs?
- have both of the following important characters been introduced:
- love interest/main mentor?
- antagonist’s main minion?
- foil?
- how does the protagonist actively demonstrate her reluctance to change the status quo?
- what action does the protag take in an attempt to evade or compromise?
first threshold (aka trouble gets worse) → something happens to thwart the protagonist’s plan, the stakes get higher, and the protagonist does something she wouldn’t have done or been able to do at the beginning.
- how do the protag’s attempts to refuse change make the immediate trouble worse?
- what happens to overcome her reluctance to accept the call to action and commit to change?
- how does she get over the first threshold and demonstrate she is already changing?
- is there a threshold guardian? Who is it and how does it bar her way?
- how does crossing the first threshold thwart the protagonist’s immediate wants?
- how does that push her toward what she really needs?
- how does it increase the overall stakes?
- what is the overall story problem as it has now been introduced?
- what is the theme of the story?
- what should the reader hope for the protagonist?
- what should the reader fear on her behalf?
source: how to create a book that will keep readers reading