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  • ▢ the capitalistic virtues of the editorial market and the rise of easy-to-swallow fiction.
  • ▢ possible reasons why publishing houses accept to transform fan-work into original work without taking into consideration a standard/protocol of quality.
  • ▢ when & why did publishing houses start using fan-fiction language to market their products?
  • ▢ a literary comparison between the prose from the xx and xxɪ century and the switch from a descriptive language written for imagination to a descriptive language written for screen-watching.
apr 9 2026 ∞
apr 9 2026 +