- Brattitude: The Internalized Self-Segregation of Millennial Women to Minimize their Combined Feminine Power
- This is not really a paper about the Bratz movie, but like, kind of a paper about the Bratz movie
- Country Girl Feminism paper (Redneck Woman: The Underlying Feminist Culture in Country Music)
- Feminism in response to class shaming
- Redneck Woman, Gretchen Wilson
- Misandrist domestic violence narratives (connection to class)
- Goodbye Earl, Dixie Chicks
- Gunpowder and Lead, Miranda Lambert
- Rejection of "Southern Belle" ideals
- Mama's Broken Heart, Miranda Lambert
- General misandry
- Before He Cheats
- Hell On Heels
- Second-Wave Feminism in Country Music of the 50's, 60's, 70's, and 80's
- 9 to 5, Dolly Parton (WOMEN IN THE WORKPLACE, PROVIN' EM WRONG)
- The Pill, Loretta Lynn
- Stand By Your Man, Tammy Wynette
- i just want to write about this song so much because it's the go-to song for people being like COUNTRY MUSIC IS SO MISOGYNIST, FUNDAMENTALIST VALUES, but if you just watch her performing this song with a total fucking grimace and dead eyes and see the absolute seething hatred, the message is SO FUCKING DIFFERENT, "AFTER ALL, HE'S JUST A MAN", A TAKE DOWN OF THE TIME PERIOD IN WHICH IT'S WRITTEN, "SOMETIMES IT'S HARD TO BE A WOMAN" "YOU'LL HAVE BAD TIMES, AND HE'LL HAVE GOOD TIMES" STAND BY YOUR MAN NOT BECAUSE YOU WANT TO BUT BECAUSE IT'S ALL YOU CAN DO IN A SOCIETY THAT DOESN'T LET WOMEN STAND BY THEMSELVES, ESPECIALLY AFTER A DIVORCE WHEN A WOMAN IS TAINTED
feb 10 2013 ∞
oct 18 2013 +