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the merry frolics of satan (1906), dir. george méliès

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and they welcomed in the morning, even though it was a glum morn. margarida didn’t like mornings. because in the morning a naive woman could believe that the night was ending. but night never ended; it merely waited, hiding, and always returned.

irene solà, i gave you eyes and you looked toward darkness (trans. mara faye lethem)

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paulo freire, dedication to pedagogy of the oppressed

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wake up dead man (2025), dir. rian johnson

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marie howe, 'my dead friends'

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eraserhead (1977), dir. david lynch

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karen solie, 'that which was learned in youth is always most familiar'

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vladimir nabokov, the original of laura

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andré 3000, listening to the sun

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vladimir nabokov, the original of laura

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vladimir nabokov, the original of laura

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